Ableton Live - 6.0 Manual de usuario Pagina 150
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CHAPTER 12. ROUTING AND I/O 148
The Mixer's In/Out
Section and Mixer
Section Selectors.
For every track (except the Master), the In/Out section has the same layout:
The upper chooser pair (Audio/MIDI From) selects the track's input. Audio tracks
have an audio input, and MIDI tracks have a MIDI input. Return tracks receive their
input from the respective sends.
The Monitor radio button selects the monitor mode: the conditions under which the
track's input is heard through the track.
The lower chooser pair (Audio/MIDI To) selects the track's output. All tracks have
audio outputs, except for MIDI tracks without instruments. Remember that instruments
convert MIDI to audio.
Within a chooser pair, the upper chooser selects the signal category (Ext., for instance,
for external connections via an audio or MIDI interface), and is called the Input/Output Type
chooser. If this signal type offers sub-selections or channels, they are available from the
lower chooser, or the Input/Output Channel chooser. In our Ext. example, these would
be the individual audio/MIDI inputs and outputs.
12.1 Monitoring
Monitoring, in the context of Live, means passing a track's input signal on to the track's
output. Suppose you have set up an audio track to receive its input signal from a guitar.
Monitoring then means that the signal from your live guitar playing actually reaches the
- Welcome to Live 3
- 1.2.1 Movie Import 4
- 1.2.3 Mixing and Routing 4
- 1.2.4 Warping 4
- 1.2.7 Processor Maximization 5
- First Steps 6
- 2.2 Setting up Preferences 7
- 2.3 The Main Live Screen 8
- CHAPTER 2. FIRST STEPS 7 9
- Unlocking Live 10
- The Products Tab in the 11
- Preferences 11
- Selecting the Unlock 12
- Button in the Products 12
- The Fields for Entering 12
- Your Serial Number 12
- 3.2 Step 2: Unlocking Live 13
- 3.2.3 Unlocking Online 14
- 3.2.4 Unlocking Ofine 14
- CHAPTER 3. UNLOCKING LIVE 13 15
- 3.3 Copy Protection FAQs 16
- CHAPTER 3. UNLOCKING LIVE 15 17
- Click Here to Hide a 18
- Product's Features 18
- . They are happy to help! 19
- Live Concepts 20
- 4.2 Arrangement and Session 21
- 4.3 Tracks 22
- 4.4 Audio and MIDI 23
- 4.5 Audio Clips and Samples 24
- 4.6 MIDI Clips and MIDI Files 25
- 4.7 Devices and the Mixer 26
- CHAPTER 4. LIVE CONCEPTS 25 27
- CHAPTER 4. LIVE CONCEPTS 26 28
- Live's Crossfader 29
- A MIDI Effect, an 29
- Instrument and an Audio 29
- Effect in a MIDI Track 29
- 4.8 Presets and Racks 30
- 4.9 Routing 30
- 4.10 Recording New Clips 31
- 4.11 Automation Envelopes 32
- 4.12 Clip Envelopes 33
- 4.13 MIDI and Key Remote 33
- 4.14 Saving and Exporting 34
- 4.15 The Library 35
- Choosing the Library 36
- Bookmark 36
- Managing Files and Sets 37
- Library Is this 39
- Browser's Root 39
- The File Browser's 39
- Parent Folder Item 39
- A Folder in the Browser 39
- 5.1.2 Browser Bookmarks 40
- 5.1.3 Searching for Files 40
- Activating Browser 41
- Search Mode 41
- The Search Field and Go 41
- 5.1.4 Previewing Files 43
- Dropping a Clip to 44
- Create a New Track 44
- 5.1.7 Hot-Swap Mode 45
- 5.2 Sample Files 46
- 5.2.1 The Decoding Cache 47
- 5.2.2 Analysis Files (.asd) 48
- 5.2.3 File Pre-Analysis 49
- 5.2.4 Exporting Audio 49
- Rendering Options 50
- 5.3 MIDI Files 51
- 5.4 Live Clips 52
- 5.5 Live Sets 53
- 5.5.2 Merging Sets 54
- Unfolding a Set to 55
- Reveal its Tracks 55
- Revealing the Session 55
- View Clips Contained in 55
- 5.5.4 Template Sets 56
- 5.6 Live Projects 57
- 5.6.1 Projects and Live Sets 58
- A New Project Was 60
- Added by Saving a Live 60
- Set Outside its Original 60
- Project 60
- 5.6.2 Projects and Presets 61
- 5.7 The Live Library 62
- The Library Path 63
- Preference 63
- 5.8 Locating Missing Samples 64
- 5.8.1 Manual Repair 65
- 5.8.2 Automatic Repair 65
- Automatic Repair 66
- Options in the File 66
- Manager 66
- Options for Collecting 68
- External Samples 68
- The File Manager's 68
- Collect and Save Button 68
- 5.11 Finding Unused Samples 69
- Library 71
- 6.1 Navigation 73
- 6.2 Transport 74
- Scrubbing Arrangement 75
- Playback 75
- Setting the Play Position 75
- Position Fields 75
- Using Locators to 76
- Launch Play in the 76
- Arrangement 76
- The Locator Controls 76
- 6.4 The Arrangement Loop 77
- 6.5 Moving and Resizing Clips 78
- 6.6 Selecting Clips and Time 79
- 6.7 Using the Editing Grid 80
- A Gap Between Clips 81
- Has Been Deleted by 81
- First Selecting It, Then 81
- Executing the Delete 81
- Time Command 81
- 6.9 Splitting Clips 82
- 6.10 Consolidating Clips 83
- Session View 85
- 7.1 Session View Clips 86
- 7.2 Tracks and Scenes 87
- 7.3 The Track Status Fields 88
- CHAPTER 7. SESSION VIEW 87 89
- 7.4.1 Select on Launch 90
- 7.4.3 Editing Scenes 91
- CHAPTER 7. SESSION VIEW 90 92
- CHAPTER 7. SESSION VIEW 91 93
- Clip View 94
- CHAPTER 8. CLIP VIEW 93 95
- The Clip View for an 96
- Audio Clip 96
- CHAPTER 8. CLIP VIEW 95 97
- 8.1 The Clip Box 98
- 8.1.3 Clip Signature 99
- 8.1.4 Groove 99
- 8.1.5 Clip Offset and Nudging 100
- CHAPTER 8. CLIP VIEW 99 101
- 8.2 The Sample Box 102
- The Clip Zoom/Scroll 103
- The Clip Overview 103
- CHAPTER 8. CLIP VIEW 102 104
- The Clip Scrub Area 105
- Setting the Clip to Run 106
- Into a Loop 106
- The Clip Loop Controls 106
- 8.2.3 Clip Pitch and Gain 107
- The Save Default Clip 108
- The High Quality Switch 108
- 8.2.7 Clip RAM Mode 109
- 8.2.8 Reversing Samples 110
- 8.2.9 Cropping Samples 110
- 8.3 The Notes Box 111
- 8.3.1 Tempo Controls 112
- 8.3.2 Bank and Program Change 112
- 8.3.3 MIDI Loop/Region 112
- Tempo Control and Warping 114
- 9.2 Time-Warping Samples 115
- 9.2.1 Tempo Master/Slave 116
- 9.2.2 Warp Markers 117
- 9.2.3 Using Warp Markers 118
- A One-Bar Loop as It 119
- Appears in the Clip 119
- View, by Default 119
- Setting the Warp 120
- Markers for a Poorly Cut 120
- Using Warp Markers to 121
- Manipulate the Groove 121
- Auto-Warp's Results in 122
- The Metronome Switch 122
- Using the Context Menu 123
- Three Selected Warp 125
- Markers 125
- 9.3.1 Beats Mode 126
- 9.3.2 Tones Mode 126
- 9.3.3 Texture Mode 126
- 9.3.4 Re-Pitch Mode 127
- 9.3.5 Complex Mode 127
- Chapter 10 128
- 10.2 The MIDI Editor 129
- Previewing MIDI Notes 130
- Note Scale Position Is 130
- Shown Vertically and 130
- Beat-Time Horizontally 130
- MIDI Editor Navigation 131
- The Control Bar's Follow 132
- The MIDI Clip Scrub 132
- 10.4 Editing MIDI 133
- 10.4.3 Grid Snapping 134
- Quantizing MIDI Notes 135
- Copying (Left) and 136
- Pasting (Right) a Loop 136
- 10.4.6 Changing Note Length 137
- 10.4.7 Editing Velocities 138
- 10.4.8 Deactivating Notes 139
- Launching Clips 140
- 11.2 Launch Modes 141
- 11.3 Clip-Level Quantization 142
- 11.4 Velocity 142
- 11.5 Legato Mode 143
- 11.6 Follow Actions 143
- The Follow Action 144
- Controls 144
- 11.6.2 Creating Cycles 146
- Routing and I/O 149
- 12.1 Monitoring 150
- Audio and MIDI Track 151
- Arm Buttons 151
- 12.2 Exter nal Audio In/Out 152
- 12.3 Exter nal MIDI In/Out 152
- The MIDI Ports List in 153
- Activating the Computer 153
- MIDI Keyboard 153
- 12.3.4 MIDI In/Out Indicators 154
- 12.4 Master and Cue Outs 155
- 12.5 ReWire Slave Routing 155
- An Audio Track 156
- Receiving Audio From 156
- Sending MIDI to Reason 156
- 12.6 Resampling 157
- 12.7 Inter nal Routings 157
- Two Ways to Route Track 158
- A into Track B 158
- Routing 159
- Tap Points for Track 159
- Tap Points for Every 160
- Chain in a Track 160
- An Example Setup for 161
- Post-Effects Recording 161
- Recording the Output of 162
- Audio Tracks 162
- Submixing the Individual 162
- Drums of a Drum Kit 162
- Feeding an Additional 163
- MIDI Track Into an 163
- Existing MIDI Track to 163
- Reuse its Instrument 163
- The Instrument Has 164
- Been Isolated in a 164
- Dedicated Track 164
- Using Impulse's 165
- Individual Outs to 165
- Separately Process 165
- Sample Slots 165
- Tracks Feeding MIDI to 166
- From the Parts of a 166
- Multi-Timbral 166
- Instrument 166
- Chapter 13 169
- The Session View Mixer 170
- The Mixer Section 171
- Selectors 171
- The Mixer Controls 171
- 13.1.1 Session Mixer Features 172
- 13.2 Audio and MIDI Tracks 173
- The Send Controls and 174
- Pre/Post Toggle 174
- The Crossfader and 175
- Selector 175
- Choose from Seven 175
- Crossfader Curves 175
- Crossfade Assign 176
- Buttons 176
- 13.5 Soloing and Cueing 177
- 13.6 Track Delays 178
- CHAPTER 13. MIXING 177 179
- Recording New Clips 180
- 14.3 Recording 182
- Recording a New Clip 184
- Into the Session V iew 184
- 14.4 Recording in Sync 186
- 14.6 Recording with Count-in 187
- 14.7 Setting up File Types 188
- The Scene Up/Down 189
- A Track Launch Button 189
- Working with Instruments and 190
- Devices in the Track 191
- 15.1 Using the Live Devices 192
- MIDI and Audio Track 193
- A MIDI Track's Device 194
- Chain Can Contain All 194
- Three Device Types 194
- Device Activator 194
- Switches 194
- 15.1.1 Live Device Presets 195
- Presets in the Device 196
- Browser 196
- The Hot-Swap Presets 196
- 15.2 Using Plug-Ins 197
- The Plug-In Device 198
- A VST Plug-In in the 199
- Track View 199
- The Plug-In Unfold 199
- The Plug-In Edit Button 200
- 15.3 VST Plug-Ins 201
- Setting up VST Plug-In 202
- Sources for Windows 202
- Sources for Mac OS X 202
- 15.3.2 VST Programs and Banks 203
- 15.4 Audio Units Plug-Ins 205
- Opening an Audio Units 206
- Plug-In Window 206
- Instrument and Effect Racks 207
- 16.1 An Overview of Racks 208
- 16.2 Creating Racks 209
- 16.3 Looking at Racks 210
- Racks Can Be Very 211
- Compact 211
- Navigate Racks Quickly 211
- Via a Context Menu 211
- 16.4 Chain List 212
- 16.5 Zones 213
- 16.5.2 Key Zones 214
- 16.5.3 Velocity Zones 215
- 16.5.4 Chain Select Zones 215
- Using Chain Select 216
- Zones to Create Effects 216
- Presets 216
- Crossfading Between 217
- Effects Presets Using 217
- Chain Select Zones 217
- 16.6 Using the Macro Controls 218
- 16.7 Racks Within Racks 219
- Chapter 17 221
- 17.2 Deleting Automation 222
- 17.3 Overriding Automation 222
- An Automation 223
- Envelope in the 223
- Arrangement View 223
- 17.4.1 Drawing Envelopes 224
- 17.4.2 Editing Breakpoints 224
- 17.4.3 Locking Envelopes 225
- 17.4.4 Edit Menu Commands 226
- Clip Envelopes 228
- 18.1 The Clip Envelope Editor 229
- 18.2 Audio Clip Envelopes 230
- The Transposition 232
- Envelope with Steps 232
- (Top) and Ramps 232
- (Bottom) 232
- 18.2.4 Scrambling Beats 233
- Repeating Steps and 234
- Slowing Time with the 234
- Sample Offset Envelope 234
- 18.3.2 Modulating Pan 236
- A MIDI Controller Clip 237
- Envelope 237
- Using a Clip Envelope to 238
- Create a Fade-Out Over 238
- Several Repetitions of a 238
- The Sample (Left) and 239
- Envelope (Right) Start 239
- 18.5.4 Clip Envelopes as LFOs 240
- Working with Video 241
- A Video Clip with a 242
- QuickTime Marker 242
- 19.2.2 The Video Window 243
- 19.2.3 Clip View 243
- 19.3 Matching Sound to Video 244
- 19.4 Video Trimming Tricks 245
- A Video Clip at the Start 246
- Dragging the Start 246
- Marker behind the 246
- Pre-Roll 246
- The Video Clip and the 247
- Final Clip of Music 247
- The Video Clip with 247
- Pre-Roll Restored 247
- Live Audio Effect Reference 248
- controls dene the 249
- 20.2 Auto Pan 250
- 20.3 Beat Repeat 251
- 20.4 Chorus 253
- 20.5 Compressor I 254
- 20.6 Compressor II 255
- 20.7 Dynamic Tube 257
- 20.8 EQ Eight 258
- 20.9 EQ Three 259
- 20.10 Erosion 261
- 20.11 Filter Delay 262
- 20.12 Flanger 263
- 20.13 Gate 264
- 20.14 Grain Delay 265
- 20.15 Phaser 267
- 20.16 Ping Pong Delay 268
- 20.17 Redux 269
- 20.18 Resonators 270
- 20.19 Reverb 272
- 20.19.3 Global Settings 273
- 20.19.4 Diffusion Network 273
- 20.20 Saturator 274
- 20.21 Simple Delay 276
- 20.22 Utility 277
- 20.23 Vinyl Distortion 278
- Live MIDI Effect Reference 280
- Con & Diverge 282
- Pinky Up and Pinky 282
- UpDown 282
- Thumb Up and 282
- Thumb UpDown 282
- 21.2 Chord 284
- 21.3 Note Length 285
- 21.4 Pitch 286
- 21.5 Random 287
- 21.6 Scale 288
- 21.7 Velocity 289
- Live Instrument Reference 291
- 22.1 Impulse 292
- 22.1.3 Filter 293
- 22.1.4 Saturator and Envelope 294
- 22.1.5 Pan and Volume 294
- 22.1.6 Global Controls 294
- 22.1.7 Individual Outputs 294
- 22.2 Operator 295
- Operator Folded 296
- Operator's Global 296
- Display 296
- Oscillator D's Display 297
- 22.2.3 LFO Section 299
- 22.2.4 Envelopes 300
- 22.2.5 Filter Section 302
- 22.2.6 Global Controls 302
- 22.2.7 Glide and Spread 303
- 22.2.9 Finally 304
- 22.3 Sampler 311
- 22.3.1 Multisampling 312
- 22.3.2 Sampler's Tabs 313
- 22.3.3 The Zone Tab 314
- 22.3.4 The Sample Tab 316
- 22.3.5 The Pitch/Osc Tab 319
- 22.3.6 The Filter/Global Tab 320
- 22.3.7 The Modulation Tab 321
- 22.3.8 The MIDI Tab 321
- 22.4 Simpler 322
- 22.4.3 Zoom 323
- 22.4.4 Envelope 324
- 22.4.5 Filter 324
- 22.4.6 LFO 324
- 22.4.7 Glide and Spread 325
- 22.5.1 EIC Installation 327
- MIDI and Key Remote Control 329
- 23.1 MIDI Remote Control 330
- Control Surfaces Can 332
- Follow Device Selection 332
- Getting Hands-On: 332
- Control Surfaces Can Be 332
- Locked to Devices 332
- Dening Control 333
- Surfaces Manually 333
- 23.1.3 Take-Over Mode 334
- 23.2 The Mapping Browser 335
- 23.2.2 Mapping to MIDI Notes 336
- and Twos 338
- 065127 063001 338
- The Relative Session 339
- Mapping Strip 339
- The Key Map Mode 340
- 23.3 Mackie Control 341
- 23.3.1 Channel Strips 342
- The V-Pots and 344
- Assignment Switches 344
- Bank, Channel, Flip and 346
- Return Buttons 346
- 23.3.4 Transport 348
- The Software-Specic 351
- Synchronization and ReWire 353
- Choosing a MIDI Slave 354
- Setting up Live as a MIDI 354
- 24.1.3 MIDI Timecode Options 355
- 24.1.4 Sync Delay 355
- 24.2 Connecting via ReWire 356
- 24.2.3 More on ReWire 358
- Computer Audio Resources and 359
- Strategies 359
- The CPU Load Meter 360
- 25.1.3 Track Freeze 361
- A Frozen Arrangement 362
- Track with a Reverb Tail 362
- 25.2 Managing the Disk Load 363
- Live Keyboard Shortcuts 364
- 26.2 Accessing Menus 365
- 26.3 Adjusting Values 365
- 26.4 Browsing 366
- 26.5 Transport 366
- 26.6 Editing 367
- 26.8 Session View Commands 368
- 26.10 Commands for Tracks 369
- 26.15 Clip View MIDI Editor 372
- 26.17 Global Quantization 373
- 26.20 Using the Context Menu 374
- Chapter 27 375
- INDEX 375 377
- INDEX 376 378
- INDEX 377 379
- INDEX 378 380
- INDEX 379 381
- INDEX 380 382
- INDEX 381 383
- INDEX 382 384
- INDEX 383 385
- INDEX 384 386
- INDEX 385 387
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