Ableton Live - 7.0 Manual de usuario Pagina 462
- Pagina / 474
- Tabla de contenidos
- MARCADORES
Valorado. / 5. Basado en revisión del cliente
460
Index
A
Ableton
e-mail addresses
sales . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
technical support . . . . . . . . . . . . . . . . . 12
web addresses
FAQs . . . . . . . . . . . . . . . . . . . . . . . . . . . 423
registration . . . . . . . . . . . . . . . . . . . . . . . 10
tutorials . . . . . . . . . . . . . . . . . . . . . . . . . 423
unlocking . . . . . . . . . . . . . . . . . . . . . . . . 11
webshop . . . . . . . . . . . . . . . . . . . . . . . . . 12
Adaptive Grid options . . . . . . . . . . . . . . . . . . .82
Add/Remove Stop Button command . . . . 92
Analog . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .315
ampliers . . . . . . . . . . . . . . . . . . . . . . . . . .321
architecture and interface . . . . . . . . . .315
envelopes . . . . . . . . . . . . . . . . . . . . . . . . . 322
lters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 320
global parameters . . . . . . . . . . . . . . . . . 324
LFOs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323
noise generator . . . . . . . . . . . . . . . . . . . 319
oscillators . . . . . . . . . . . . . . . . . . . . . . . . . 317
analysis les . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
storing clip settings in . . . . . . . . . . . . . 109
analysis of les
batch processing . . . . . . . . . . . . . . . . . . . 43
Analyze Audio command . . . . . . . . . . . . . . . . 43
Arm Recording button . . . . . . . . . . . . 175, 186
Arpeggiator effect . . . . . . . . . . . . . . . . . . . . . 303
Arrangement . . . . . . . see Arrangement View
Arrangement Overview . . . . . . . . . . . . . . . . . .73
Arrangement Position elds . . . . . . . . . . . . . 75
Arrangement View . . . . . . . . . . . . . . . . . . . . . . 72
and copying to Session . . . . . . . . . . . . . 94
and Session View . . . . . . . . . . . . . . . . . . . 15
grid snapping . . . . . . . . . . . . . . . . . . . . . . 82
insert marker . . . . . . . . . . . . . . . . . . . . . . . 74
looping in the . . . . . . . . . . . . . . . . . . . . . . 79
navigation . . . . . . . . . . . . . . . . . . . . . . . . . . 73
recording new clips in the . . . . . . . . . 187
scrub area . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Arrangement Viewselector . . . . . . . . . . . . . . 15
asd les . . . . . . . . . . . . . . . . . . . see analysis les
audio clips . . . . . . . . . . . . . . . . . . . . . . . . see clips
audio effects . . . . . . . . . . . . . . . . . . . see devices
Audio Fact Sheet . . . . . . . . . . . . . . . . . . . . . . 430
neutral operations . . . . . . . . . . . . . . . . . 431
non-neutral operations . . . . . . . . . . . . 436
testing and methodology . . . . . . . . . .430
- Reference Manual 1
- July, 2008 2
- Welcome to Live 3
- 1.2.2 Movie Export 4
- 1.2.3 Slicing and REX Support 4
- 1.2.5 Better Tempo Control 4
- 1.2.7 Device Improvements 5
- First Steps 6
- 2.2 Setting up Preferences 7
- CHAPTER 2. FIRST STEPS 6 8
- 2.3 The Main Live Screen 9
- Adjusting the Main 10
- Window Split 10
- Unlocking Live 11
- 3.2 Step 2: Unlocking Live 12
- 3.2.3 Unlocking Online 13
- 3.2.4 Unlocking Ofine 13
- 3.3 Copy Protection FAQs 14
- CHAPTER 3. UNLOCKING LIVE 13 15
- Live Concepts 16
- 4.2 Arrangement and Session 17
- 4.3 Tracks 18
- 4.4 Audio and MIDI 19
- 4.5 Audio Clips and Samples 20
- 4.6 MIDI Clips and MIDI Files 21
- 4.7 Devices and the Mixer 22
- CHAPTER 4. LIVE CONCEPTS 21 23
- CHAPTER 4. LIVE CONCEPTS 22 24
- Live's Crossfader 25
- A MIDI Effect, an 25
- Instrument and an Audio 25
- Effect in a MIDI Track 25
- 4.8 Presets and Racks 26
- 4.9 Routing 26
- 4.10 Recording New Clips 27
- 4.11 Automation Envelopes 28
- 4.12 Clip Envelopes 29
- 4.13 MIDI and Key Remote 29
- 4.14 Saving and Exporting 30
- 4.15 The Library 31
- Choosing the Library 32
- Bookmark 32
- Managing Files and Sets 33
- Library Is this 35
- Browser's Root 35
- The File Browser's 35
- Parent Folder Item 35
- A Folder in the Browser 35
- 5.1.2 Browser Bookmarks 36
- 5.1.3 Searching for Files 36
- Activating Browser 37
- Search Mode 37
- The Search Field and Go 37
- 5.1.4 Previewing Files 39
- The Preview Volume 40
- Dropping a Clip to 41
- Create a New Track 41
- 5.1.7 Hot-Swap Mode 42
- 5.2 Sample Files 43
- 5.2.1 The Decoding Cache 44
- 5.2.2 Analysis Files (.asd) 44
- 5.2.3 File Pre-Analysis 45
- The Rendered Track 46
- Chooser 46
- Audio Rendering 47
- Options 47
- Waiting for External 49
- Devices to Become 49
- Real-Time Rendering in 49
- Progress 49
- Video Rendering 50
- 5.3 MIDI Files 51
- 5.4 Live Clips 52
- 5.5 Live Sets 53
- 5.5.2 Merging Sets 54
- 5.5.4 Template Sets 55
- Every Line in the Sample 56
- Reference List is a Drop 56
- Target for Samples 56
- The Sample Reference 56
- List's Hot-Swap Button 56
- 5.6 Live Projects 57
- A New Project Was 59
- Added Next to Tango 59
- Project 59
- Added by Saving a Live 60
- Set Outside its Original 60
- 5.6.2 Projects and Presets 61
- 5.7 The Live Library 62
- The Library Location 64
- Unavailable Library 64
- Locations can be 64
- Cleared from the List 64
- 5.8 Locating Missing Samples 65
- 5.8.1 Manual Repair 66
- 5.8.2 Automatic Repair 66
- Automatic Repair 67
- Options in the File 67
- Manager 67
- Options for Collecting 68
- External Samples 68
- The File Manager's 69
- Collect and Save Button 69
- 5.11 Finding Unused Samples 70
- 5.13 File Management FAQs 71
- Folder Structure? 73
- Arrangement View 74
- 6.1 Navigation 75
- 6.2 Transport 76
- Scrubbing Arrangement 77
- Playback 77
- Setting the Play Position 77
- Position Fields 77
- Using Locators to 78
- Launch Play in the 78
- Arrangement 78
- The Locator Controls 78
- 6.4 Time Signature Changes 79
- 6.5 The Arrangement Loop 81
- 6.6 Moving and Resizing Clips 82
- 6.7 Selecting Clips and Time 83
- 6.8 Using the Editing Grid 84
- A Gap Between Clips 85
- Has Been Deleted by 85
- First Selecting It, Then 85
- Executing the Delete 85
- Time Command 85
- 6.10 Splitting Clips 86
- 6.11 Consolidating Clips 86
- Consolidating Several 87
- Clips Into a New Clip 87
- Session View 88
- 7.1 Session View Clips 89
- 7.2 Tracks and Scenes 90
- These Scenes Will 91
- Change the Tempo and 91
- Time Signature 91
- 7.3 The Track Status Fields 92
- 7.4.1 Select on Launch 93
- 7.4.3 Editing Scenes 94
- The Arrangement 95
- The Back to 95
- Arrangement Button 95
- The Stop All Clips 96
- Clip View 97
- CHAPTER 8. CLIP VIEW 96 98
- The Clip View for an 99
- Audio Clip 99
- CHAPTER 8. CLIP VIEW 98 100
- 8.1 The Clip Box 101
- 8.1.3 Clip Signature 102
- 8.1.4 Groove 102
- 8.1.5 Clip Offset and Nudging 103
- 8.2 The Sample Box 104
- The Clip Zoom/Scroll 105
- The Clip Overview 106
- The Follow Switch 106
- The Clip Start and End 106
- Markers 106
- Using Clip Start and End 107
- Controls to Change Clip 107
- The Clip Scrub Area 107
- The Clip Loop Controls 108
- Setting the Clip to Run 109
- Into a Loop 109
- 8.2.3 Clip Pitch and Gain 110
- The Save Default Clip 111
- The High Quality Switch 111
- 8.2.8 Clip RAM Mode 112
- 8.2.9 Reversing Samples 113
- 8.2.10 Cropping Samples 114
- 8.3 The Notes Box 115
- 8.3.3 MIDI Loop/Region 116
- Tempo Control and Warping 117
- 9.1.2 Tapping the Tempo 118
- 9.2 Time-Warping Samples 119
- 9.2.1 Tempo Master/Slave 120
- 9.2.2 Warp Markers 121
- 9.2.3 Using Warp Markers 122
- Setting the Warp 123
- Markers for a Poorly Cut 123
- Using Warp Markers to 124
- Manipulate the Groove 124
- Auto-Warp's Results in 125
- The Metronome Switch 125
- Using the Context Menu 126
- Three Selected Warp 128
- 9.3.1 Beats Mode 129
- 9.3.2 Tones Mode 129
- 9.3.3 Texture Mode 129
- 9.3.4 Re-Pitch Mode 130
- 9.3.5 Complex Mode 130
- 9.3.6 REX Mode 130
- Chapter 10 132
- 10.2 The MIDI Editor 133
- Previewing MIDI Notes 134
- Note Scale Position Is 134
- Shown Vertically and 134
- Beat-Time Horizontally 134
- MIDI Editor Navigation 135
- The Control Bar's Follow 136
- The MIDI Clip Scrub 136
- 10.4 Editing MIDI 137
- 10.4.3 Grid Snapping 138
- Quantizing MIDI Notes 139
- Copying (Left) and 140
- Pasting (Right) a Loop 140
- 10.4.6 Changing Note Length 141
- 10.4.7 Editing Velocities 142
- Drawing Identical 143
- Velocities (Left) and a 143
- Crescendo (Right) 143
- 10.4.8 Deactivating Notes 144
- Launching Clips 145
- 11.2 Launch Modes 146
- 11.3 Clip-Level Quantization 147
- 11.4 Velocity 147
- 11.5 Legato Mode 148
- 11.6 Follow Actions 148
- The Follow Action 149
- Controls 149
- 11.6.2 Creating Cycles 151
- Routing and I/O 154
- 12.1 Monitoring 155
- Audio and MIDI Track 156
- Arm Buttons 156
- 12.2 Exter nal Audio In/Out 157
- 12.3 Exter nal MIDI In/Out 157
- The MIDI Ports List in 158
- Activating the Computer 158
- MIDI Keyboard 158
- 12.3.4 MIDI In/Out Indicators 159
- 12.4 ReWire Slave Routing 160
- 12.5 Resampling 162
- 12.6 Inter nal Routings 162
- Two Ways to Route Track 163
- A into Track B 163
- Tap Points for Track 164
- Routing 164
- Tap Points for Every 165
- Chain in a Track 165
- An Example Setup for 166
- Post-Effects Recording 166
- Recording the Output of 167
- Audio Tracks 167
- Submixing the Individual 168
- Drums of a Drum Kit 168
- Using Impulse's 170
- Individual Outs to 170
- Separately Process 170
- Sample Slots 170
- Tracks Feeding MIDI to 171
- From the Parts of a 171
- Multi-Timbral 171
- Instrument 171
- Routing a Speech Signal 173
- Into a Vocoder's 173
- Sidechain Input 173
- Using an Auxiliary MIDI 174
- Track to Layer 174
- Instruments 174
- Chapter 13 175
- The Session View Mixer 176
- The Mixer Section 177
- Selectors 177
- The Mixer Controls 177
- 13.1.1 Session Mixer Features 178
- 13.2 Audio and MIDI Tracks 179
- The Send Controls and 180
- Pre/Post Toggle 180
- The Crossfader and 181
- Selector 181
- Choose from Seven 182
- Crossfader Curves 182
- Crossfader Curve 182
- Properties 182
- Crossfade Assign 183
- Buttons 183
- 13.5 Soloing and Cueing 184
- 13.6 Track Delays 185
- CHAPTER 13. MIXING 184 186
- Recording New Clips 187
- 14.3 Recording 189
- Recording a New Clip 191
- Into the Session View 191
- 14.4 Recording in Sync 193
- 14.6 Recording with Count-in 194
- 14.7 Setting up File Types 195
- The Scene Up/Down 196
- A Track Launch Button 196
- Working with Instruments and 197
- Devices in the Track 198
- Devices Can Be Folded 198
- 15.1 Using the Live Devices 199
- MIDI and Audio Track 200
- A MIDI Track's Device 201
- Chain Can Contain All 201
- Three Device Types 201
- Device Activator 201
- Switches 201
- 15.1.1 Live Device Presets 202
- Presets in the Device 203
- Browser 203
- The Hot-Swap Presets 203
- The Save Preset Button 204
- The Default Presets 204
- 15.2 Using Plug-Ins 205
- The Plug-In Device 206
- A VST Plug-In in the 207
- Track View 207
- The Plug-In Unfold 207
- The Plug-In Edit Button 208
- 15.3 VST Plug-Ins 210
- Setting up VST Plug-In 211
- Sources for Mac OS X 211
- 15.3.2 VST Programs and Banks 212
- 15.4 Audio Units Plug-Ins 213
- Activating Audio Units 214
- Plug-Ins 214
- Opening an Audio Units 214
- Plug-In Window 214
- Chapter 16 216
- 16.1 An Overview of Racks 217
- 16.2 Creating Racks 218
- 16.3 Looking at Racks 219
- 16.4 Chain List 221
- 16.4.1 Auto Select 222
- 16.5 Zones 223
- 16.5.2 Key Zones 225
- 16.5.3 Velocity Zones 225
- 16.5.4 Chain Select Zones 226
- Using Chain Select 227
- Zones to Create Effects 227
- Presets 227
- 16.6 Drum Racks 228
- The Chain List in a Drum 229
- 16.6.1 Pad View 230
- 16.6.2 Slicing 232
- Rearranging the Sliced 233
- MIDI Data 233
- 16.7 Using the Macro Controls 234
- 16.8 Mixing With Racks 236
- 16.8.1 Extracting Chains 237
- Chapter 17 238
- 17.2 Deleting Automation 239
- 17.3 Overriding Automation 239
- Automation Envelopes 240
- 17.4.1 Drawing Envelopes 241
- 17.4.2 Editing Breakpoints 242
- 17.4.3 Locking Envelopes 243
- 17.4.4 Edit Menu Commands 244
- Clip Envelopes 245
- 18.1 The Clip Envelope Editor 246
- 18.2 Audio Clip Envelopes 247
- The Transposition 249
- Envelope with Steps 249
- (Top) and Ramps 249
- (Bottom) 249
- 18.2.4 Scrambling Beats 250
- Repeating Steps and 251
- Slowing Time with the 251
- Sample Offset Envelope 251
- 18.3.2 Modulating Pan 253
- A MIDI Controller Clip 254
- Envelope 254
- Using a Clip Envelope to 255
- Create a Fade-Out Over 255
- Several Repetitions of a 255
- The Sample (Left) and 256
- Envelope (Right) Start 256
- 18.5.4 Clip Envelopes as LFOs 257
- Working with Video 258
- A Video Clip with a 259
- QuickTime Marker 259
- 19.2.2 The Video Window 260
- 19.2.3 Clip View 261
- 19.3 Matching Sound to Video 262
- 19.4 Video Trimming Tricks 263
- The Video Clip and the 264
- Final Clip of Music 264
- The Video Clip with 264
- Pre-Roll Restored 264
- Live Audio Effect Reference 265
- controls dene the 267
- 20.2 Auto Pan 268
- 20.3 Beat Repeat 269
- 20.4 Chorus 271
- 20.5 Compressor 272
- 20.5.1 Sidechain Parameters 275
- 20.5.2 Compression Tips 276
- 20.6 Dynamic Tube 277
- 20.7 EQ Eight 279
- 20.8 EQ Three 280
- 20.9 Erosion 282
- 20.10 Exter nal Audio Effect 283
- 20.11 Filter Delay 284
- 20.12 Flanger 286
- 20.13 Gate 287
- 20.14 Grain Delay 289
- 20.15 Phaser 290
- 20.16 Ping Pong Delay 292
- 20.17 Redux 293
- 20.18 Resonators 294
- 20.19 Reverb 295
- 20.19.1 Input Processing 296
- 20.19.2 Early Reections 296
- 20.19.3 Global Settings 296
- 20.19.4 Diffusion Network 297
- 20.20 Saturator 298
- 20.21 Simple Delay 300
- 20.22 Spectrum 301
- 20.23 Utility 302
- 20.24 Vinyl Distortion 303
- Live MIDI Effect Reference 305
- Con & Diverge 307
- Pinky Up and Pinky 307
- UpDown 307
- Thumb Up and 307
- Thumb UpDown 307
- 21.2 Chord 309
- 21.3 Note Length 310
- 21.4 Pitch 311
- 21.5 Random 312
- 21.6 Scale 313
- 21.7 Velocity 314
- Live Instrument Reference 316
- 22.1 Analog 317
- Diagram of Analog's 318
- Signal Flow 318
- 22.1.2 Oscillators 319
- 22.1.3 Noise Generator 321
- 22.1.4 Filters 322
- 22.1.5 Ampliers 323
- 22.1.6 Envelopes 324
- 22.1.7 LFOs 325
- 22.1.8 Global Parameters 326
- 22.2 Drum Machines 328
- 22.3 Electric 330
- 22.3.2 Mallet Section 331
- 22.3.3 Fork Section 331
- 22.3.4 Damper Section 332
- 22.3.5 Pickup Section 332
- 22.3.6 Global Section 333
- 22.4 Exter nal Instrument 334
- ReWire Options Shown 335
- 22.5 Impulse 336
- 22.5.1 Sample Slots 337
- 22.5.3 Filter 338
- 22.5.4 Saturator and Envelope 338
- 22.5.5 Pan and Volume 338
- 22.6 Operator 339
- 22.6.1 General Overview 340
- Operator's Global 341
- Display 341
- Oscillator D's Display 342
- 22.6.3 LFO Section 344
- 22.6.4 Envelopes 345
- 22.6.5 Filter Section 347
- 22.6.6 Global Controls 347
- 22.6.7 Glide and Spread 348
- 22.6.9 Finally 349
- 22.7.1 Installation 356
- 22.8 Sampler 357
- 22.8.1 Multisampling 358
- 22.8.2 Sampler's Tabs 359
- 22.8.3 The Zone Tab 360
- The Velocity Zone Editor 362
- 22.8.4 The Sample Tab 363
- 22.8.5 The Pitch/Osc Tab 367
- 22.8.6 The Filter/Global Tab 368
- 22.8.7 The Modulation Tab 369
- 22.8.8 The MIDI Tab 370
- 22.9 Session Drums 371
- 22.9.3 Mixing the Drums 372
- 22.9.4 Modifying the Drumkits 372
- 22.10 Simpler 374
- 22.10.2 Sample Controls 375
- 22.10.3 Zoom 375
- 22.10.4 Envelope 376
- 22.10.5 Filter 376
- 22.10.6 LFO 376
- 22.10.7 Glide and Spread 377
- 22.11 Tension 379
- 22.11.2 String Tab 380
- Tension's Vibrato 384
- Section 384
- Tension's Damper 385
- Tension's Termination 386
- Tension's Body Section 388
- 22.11.3 Filter/Global Tab 389
- Tension's Global and 391
- Keyboard Parameters 391
- 22.11.4 Sound Design Tips 392
- 22.12.1 EIC Installation 393
- MIDI and Key Remote Control 396
- 23.1 MIDI Remote Control 397
- Control Surfaces Can 399
- Follow Device Selection 399
- Getting Hands-On: 399
- Control Surfaces Can Be 399
- Locked to Devices 399
- Dening Control 400
- Surfaces Manually 400
- 23.1.3 Takeover Mode 401
- 23.2 The Mapping Browser 402
- 23.2.2 Mapping to MIDI Notes 403
- and Twos 405
- 065127 063001 405
- The Relative Session 406
- Mapping Strip 406
- The Key Map Mode 407
- 23.3 Mackie Control 408
- 23.3.1 Channel Strips 409
- The V-Pots and 411
- Assignment Switches 411
- Bank, Channel, Flip and 413
- Return Buttons 413
- 23.3.4 Transport 415
- The Software-Specic 418
- Synchronization and ReWire 420
- Choosing a MIDI Slave 421
- Setting up Live as a MIDI 421
- 24.1.3 MIDI Timecode Options 422
- 24.1.4 Sync Delay 422
- 24.2 Connecting via ReWire 423
- 24.2.3 More on ReWire 425
- Computer Audio Resources and 426
- Strategies 426
- The CPU Load Meter 427
- 25.1.3 Track Freeze 428
- A Frozen Arrangement 429
- Track with a Reverb Tail 429
- 25.2 Managing the Disk Load 430
- Live 7 Audio Fact Sheet 432
- 26.2 Neutral Operations 433
- 26.2.7 Freeze, Flatten 436
- 26.2.8 Bypassed Effects 437
- 26.2.9 Routing 437
- 26.2.10 Splitting Clips 437
- 26.3 Non-Neutral Operations 438
- 26.3.3 Volume Automation 439
- 26.3.4 Dithering 439
- 26.3.7 Consolidate 440
- 26.3.8 Clip fades 440
- 26.3.9 Panning 441
- 26.3.10 Global Groove Changes 441
- 26.5 Summary and Conclusions 442
- Live 7 MIDI Fact Sheet 443
- 27.2 MIDI Timing Problems 444
- 27.5 Tests and Results 447
- MIDI Output Test 449
- Conguration 449
- 27.7 Summary and Conclusions 450
- Live Keyboard Shortcuts 451
- 28.2 Accessing Menus 452
- 28.3 Adjusting Values 452
- 28.4 Browsing 453
- 28.5 Transport 453
- 28.6 Editing 454
- 28.8 Session View Commands 455
- 28.10 Commands for Tracks 456
- 28.15 Clip View MIDI Editor 458
- 28.17 Global Quantization 459
- 28.20 Using the Context Menu 461
- INDEX 461 463
- INDEX 462 464
- INDEX 463 465
- INDEX 464 466
- INDEX 465 467
- INDEX 466 468
- INDEX 467 469
- INDEX 468 470
- INDEX 469 471
- INDEX 470 472
- INDEX 471 473
- INDEX 472 474
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