Ableton Live - 7.0 Manual de usuario Pagina 5
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CHAPTER 1. WELCOME TO LIVE 3
1.2.6 Ableton Effects and Instruments
Drum Racks expand the Rack family with integrated return chains, choke groups, and
other functions optimized for building drum kits
Tension optional add-on instrument
Electric optional add-on instrument
Analog optional add-on instrument
Compressor replaces the former Compressor I and II devices with three compression
models, feedback, sidechaining and more.
Spectrum performs realtime frequency analysis of incoming audio signals.
Easier integration of external hardware effects and synthesizers with the External Audio
Effect and External Instrument devices
1.2.7 Device Improvements
Sidechaining is available in the new Compressor effect, as well as the Gate and Auto
Filter
EQ Eight is updated with a larger display, a new notch lter, larger parameter ranges
and an optional 64-bit hi-quality mode
Hi-Quality modes have also been added to the Operator instrument and Dynamic
Tube and Saturator effects
- Reference Manual 1
- July, 2008 2
- Welcome to Live 3
- 1.2.2 Movie Export 4
- 1.2.3 Slicing and REX Support 4
- 1.2.5 Better Tempo Control 4
- 1.2.7 Device Improvements 5
- First Steps 6
- 2.2 Setting up Preferences 7
- CHAPTER 2. FIRST STEPS 6 8
- 2.3 The Main Live Screen 9
- Adjusting the Main 10
- Window Split 10
- Unlocking Live 11
- 3.2 Step 2: Unlocking Live 12
- 3.2.3 Unlocking Online 13
- 3.2.4 Unlocking Ofine 13
- 3.3 Copy Protection FAQs 14
- CHAPTER 3. UNLOCKING LIVE 13 15
- Live Concepts 16
- 4.2 Arrangement and Session 17
- 4.3 Tracks 18
- 4.4 Audio and MIDI 19
- 4.5 Audio Clips and Samples 20
- 4.6 MIDI Clips and MIDI Files 21
- 4.7 Devices and the Mixer 22
- CHAPTER 4. LIVE CONCEPTS 21 23
- CHAPTER 4. LIVE CONCEPTS 22 24
- Live's Crossfader 25
- A MIDI Effect, an 25
- Instrument and an Audio 25
- Effect in a MIDI Track 25
- 4.8 Presets and Racks 26
- 4.9 Routing 26
- 4.10 Recording New Clips 27
- 4.11 Automation Envelopes 28
- 4.12 Clip Envelopes 29
- 4.13 MIDI and Key Remote 29
- 4.14 Saving and Exporting 30
- 4.15 The Library 31
- Choosing the Library 32
- Bookmark 32
- Managing Files and Sets 33
- Library Is this 35
- Browser's Root 35
- The File Browser's 35
- Parent Folder Item 35
- A Folder in the Browser 35
- 5.1.2 Browser Bookmarks 36
- 5.1.3 Searching for Files 36
- Activating Browser 37
- Search Mode 37
- The Search Field and Go 37
- 5.1.4 Previewing Files 39
- The Preview Volume 40
- Dropping a Clip to 41
- Create a New Track 41
- 5.1.7 Hot-Swap Mode 42
- 5.2 Sample Files 43
- 5.2.1 The Decoding Cache 44
- 5.2.2 Analysis Files (.asd) 44
- 5.2.3 File Pre-Analysis 45
- The Rendered Track 46
- Chooser 46
- Audio Rendering 47
- Options 47
- Waiting for External 49
- Devices to Become 49
- Real-Time Rendering in 49
- Progress 49
- Video Rendering 50
- 5.3 MIDI Files 51
- 5.4 Live Clips 52
- 5.5 Live Sets 53
- 5.5.2 Merging Sets 54
- 5.5.4 Template Sets 55
- Every Line in the Sample 56
- Reference List is a Drop 56
- Target for Samples 56
- The Sample Reference 56
- List's Hot-Swap Button 56
- 5.6 Live Projects 57
- A New Project Was 59
- Added Next to Tango 59
- Project 59
- Added by Saving a Live 60
- Set Outside its Original 60
- 5.6.2 Projects and Presets 61
- 5.7 The Live Library 62
- The Library Location 64
- Unavailable Library 64
- Locations can be 64
- Cleared from the List 64
- 5.8 Locating Missing Samples 65
- 5.8.1 Manual Repair 66
- 5.8.2 Automatic Repair 66
- Automatic Repair 67
- Options in the File 67
- Manager 67
- Options for Collecting 68
- External Samples 68
- The File Manager's 69
- Collect and Save Button 69
- 5.11 Finding Unused Samples 70
- 5.13 File Management FAQs 71
- Folder Structure? 73
- Arrangement View 74
- 6.1 Navigation 75
- 6.2 Transport 76
- Scrubbing Arrangement 77
- Playback 77
- Setting the Play Position 77
- Position Fields 77
- Using Locators to 78
- Launch Play in the 78
- Arrangement 78
- The Locator Controls 78
- 6.4 Time Signature Changes 79
- 6.5 The Arrangement Loop 81
- 6.6 Moving and Resizing Clips 82
- 6.7 Selecting Clips and Time 83
- 6.8 Using the Editing Grid 84
- A Gap Between Clips 85
- Has Been Deleted by 85
- First Selecting It, Then 85
- Executing the Delete 85
- Time Command 85
- 6.10 Splitting Clips 86
- 6.11 Consolidating Clips 86
- Consolidating Several 87
- Clips Into a New Clip 87
- Session View 88
- 7.1 Session View Clips 89
- 7.2 Tracks and Scenes 90
- These Scenes Will 91
- Change the Tempo and 91
- Time Signature 91
- 7.3 The Track Status Fields 92
- 7.4.1 Select on Launch 93
- 7.4.3 Editing Scenes 94
- The Arrangement 95
- The Back to 95
- Arrangement Button 95
- The Stop All Clips 96
- Clip View 97
- CHAPTER 8. CLIP VIEW 96 98
- The Clip View for an 99
- Audio Clip 99
- CHAPTER 8. CLIP VIEW 98 100
- 8.1 The Clip Box 101
- 8.1.3 Clip Signature 102
- 8.1.4 Groove 102
- 8.1.5 Clip Offset and Nudging 103
- 8.2 The Sample Box 104
- The Clip Zoom/Scroll 105
- The Clip Overview 106
- The Follow Switch 106
- The Clip Start and End 106
- Markers 106
- Using Clip Start and End 107
- Controls to Change Clip 107
- The Clip Scrub Area 107
- The Clip Loop Controls 108
- Setting the Clip to Run 109
- Into a Loop 109
- 8.2.3 Clip Pitch and Gain 110
- The Save Default Clip 111
- The High Quality Switch 111
- 8.2.8 Clip RAM Mode 112
- 8.2.9 Reversing Samples 113
- 8.2.10 Cropping Samples 114
- 8.3 The Notes Box 115
- 8.3.3 MIDI Loop/Region 116
- Tempo Control and Warping 117
- 9.1.2 Tapping the Tempo 118
- 9.2 Time-Warping Samples 119
- 9.2.1 Tempo Master/Slave 120
- 9.2.2 Warp Markers 121
- 9.2.3 Using Warp Markers 122
- Setting the Warp 123
- Markers for a Poorly Cut 123
- Using Warp Markers to 124
- Manipulate the Groove 124
- Auto-Warp's Results in 125
- The Metronome Switch 125
- Using the Context Menu 126
- Three Selected Warp 128
- 9.3.1 Beats Mode 129
- 9.3.2 Tones Mode 129
- 9.3.3 Texture Mode 129
- 9.3.4 Re-Pitch Mode 130
- 9.3.5 Complex Mode 130
- 9.3.6 REX Mode 130
- Chapter 10 132
- 10.2 The MIDI Editor 133
- Previewing MIDI Notes 134
- Note Scale Position Is 134
- Shown Vertically and 134
- Beat-Time Horizontally 134
- MIDI Editor Navigation 135
- The Control Bar's Follow 136
- The MIDI Clip Scrub 136
- 10.4 Editing MIDI 137
- 10.4.3 Grid Snapping 138
- Quantizing MIDI Notes 139
- Copying (Left) and 140
- Pasting (Right) a Loop 140
- 10.4.6 Changing Note Length 141
- 10.4.7 Editing Velocities 142
- Drawing Identical 143
- Velocities (Left) and a 143
- Crescendo (Right) 143
- 10.4.8 Deactivating Notes 144
- Launching Clips 145
- 11.2 Launch Modes 146
- 11.3 Clip-Level Quantization 147
- 11.4 Velocity 147
- 11.5 Legato Mode 148
- 11.6 Follow Actions 148
- The Follow Action 149
- Controls 149
- 11.6.2 Creating Cycles 151
- Routing and I/O 154
- 12.1 Monitoring 155
- Audio and MIDI Track 156
- Arm Buttons 156
- 12.2 Exter nal Audio In/Out 157
- 12.3 Exter nal MIDI In/Out 157
- The MIDI Ports List in 158
- Activating the Computer 158
- MIDI Keyboard 158
- 12.3.4 MIDI In/Out Indicators 159
- 12.4 ReWire Slave Routing 160
- 12.5 Resampling 162
- 12.6 Inter nal Routings 162
- Two Ways to Route Track 163
- A into Track B 163
- Tap Points for Track 164
- Routing 164
- Tap Points for Every 165
- Chain in a Track 165
- An Example Setup for 166
- Post-Effects Recording 166
- Recording the Output of 167
- Audio Tracks 167
- Submixing the Individual 168
- Drums of a Drum Kit 168
- Using Impulse's 170
- Individual Outs to 170
- Separately Process 170
- Sample Slots 170
- Tracks Feeding MIDI to 171
- From the Parts of a 171
- Multi-Timbral 171
- Instrument 171
- Routing a Speech Signal 173
- Into a Vocoder's 173
- Sidechain Input 173
- Using an Auxiliary MIDI 174
- Track to Layer 174
- Instruments 174
- Chapter 13 175
- The Session View Mixer 176
- The Mixer Section 177
- Selectors 177
- The Mixer Controls 177
- 13.1.1 Session Mixer Features 178
- 13.2 Audio and MIDI Tracks 179
- The Send Controls and 180
- Pre/Post Toggle 180
- The Crossfader and 181
- Selector 181
- Choose from Seven 182
- Crossfader Curves 182
- Crossfader Curve 182
- Properties 182
- Crossfade Assign 183
- Buttons 183
- 13.5 Soloing and Cueing 184
- 13.6 Track Delays 185
- CHAPTER 13. MIXING 184 186
- Recording New Clips 187
- 14.3 Recording 189
- Recording a New Clip 191
- Into the Session View 191
- 14.4 Recording in Sync 193
- 14.6 Recording with Count-in 194
- 14.7 Setting up File Types 195
- The Scene Up/Down 196
- A Track Launch Button 196
- Working with Instruments and 197
- Devices in the Track 198
- Devices Can Be Folded 198
- 15.1 Using the Live Devices 199
- MIDI and Audio Track 200
- A MIDI Track's Device 201
- Chain Can Contain All 201
- Three Device Types 201
- Device Activator 201
- Switches 201
- 15.1.1 Live Device Presets 202
- Presets in the Device 203
- Browser 203
- The Hot-Swap Presets 203
- The Save Preset Button 204
- The Default Presets 204
- 15.2 Using Plug-Ins 205
- The Plug-In Device 206
- A VST Plug-In in the 207
- Track View 207
- The Plug-In Unfold 207
- The Plug-In Edit Button 208
- 15.3 VST Plug-Ins 210
- Setting up VST Plug-In 211
- Sources for Mac OS X 211
- 15.3.2 VST Programs and Banks 212
- 15.4 Audio Units Plug-Ins 213
- Activating Audio Units 214
- Plug-Ins 214
- Opening an Audio Units 214
- Plug-In Window 214
- Chapter 16 216
- 16.1 An Overview of Racks 217
- 16.2 Creating Racks 218
- 16.3 Looking at Racks 219
- 16.4 Chain List 221
- 16.4.1 Auto Select 222
- 16.5 Zones 223
- 16.5.2 Key Zones 225
- 16.5.3 Velocity Zones 225
- 16.5.4 Chain Select Zones 226
- Using Chain Select 227
- Zones to Create Effects 227
- Presets 227
- 16.6 Drum Racks 228
- The Chain List in a Drum 229
- 16.6.1 Pad View 230
- 16.6.2 Slicing 232
- Rearranging the Sliced 233
- MIDI Data 233
- 16.7 Using the Macro Controls 234
- 16.8 Mixing With Racks 236
- 16.8.1 Extracting Chains 237
- Chapter 17 238
- 17.2 Deleting Automation 239
- 17.3 Overriding Automation 239
- Automation Envelopes 240
- 17.4.1 Drawing Envelopes 241
- 17.4.2 Editing Breakpoints 242
- 17.4.3 Locking Envelopes 243
- 17.4.4 Edit Menu Commands 244
- Clip Envelopes 245
- 18.1 The Clip Envelope Editor 246
- 18.2 Audio Clip Envelopes 247
- The Transposition 249
- Envelope with Steps 249
- (Top) and Ramps 249
- (Bottom) 249
- 18.2.4 Scrambling Beats 250
- Repeating Steps and 251
- Slowing Time with the 251
- Sample Offset Envelope 251
- 18.3.2 Modulating Pan 253
- A MIDI Controller Clip 254
- Envelope 254
- Using a Clip Envelope to 255
- Create a Fade-Out Over 255
- Several Repetitions of a 255
- The Sample (Left) and 256
- Envelope (Right) Start 256
- 18.5.4 Clip Envelopes as LFOs 257
- Working with Video 258
- A Video Clip with a 259
- QuickTime Marker 259
- 19.2.2 The Video Window 260
- 19.2.3 Clip View 261
- 19.3 Matching Sound to Video 262
- 19.4 Video Trimming Tricks 263
- The Video Clip and the 264
- Final Clip of Music 264
- The Video Clip with 264
- Pre-Roll Restored 264
- Live Audio Effect Reference 265
- controls dene the 267
- 20.2 Auto Pan 268
- 20.3 Beat Repeat 269
- 20.4 Chorus 271
- 20.5 Compressor 272
- 20.5.1 Sidechain Parameters 275
- 20.5.2 Compression Tips 276
- 20.6 Dynamic Tube 277
- 20.7 EQ Eight 279
- 20.8 EQ Three 280
- 20.9 Erosion 282
- 20.10 Exter nal Audio Effect 283
- 20.11 Filter Delay 284
- 20.12 Flanger 286
- 20.13 Gate 287
- 20.14 Grain Delay 289
- 20.15 Phaser 290
- 20.16 Ping Pong Delay 292
- 20.17 Redux 293
- 20.18 Resonators 294
- 20.19 Reverb 295
- 20.19.1 Input Processing 296
- 20.19.2 Early Reections 296
- 20.19.3 Global Settings 296
- 20.19.4 Diffusion Network 297
- 20.20 Saturator 298
- 20.21 Simple Delay 300
- 20.22 Spectrum 301
- 20.23 Utility 302
- 20.24 Vinyl Distortion 303
- Live MIDI Effect Reference 305
- Con & Diverge 307
- Pinky Up and Pinky 307
- UpDown 307
- Thumb Up and 307
- Thumb UpDown 307
- 21.2 Chord 309
- 21.3 Note Length 310
- 21.4 Pitch 311
- 21.5 Random 312
- 21.6 Scale 313
- 21.7 Velocity 314
- Live Instrument Reference 316
- 22.1 Analog 317
- Diagram of Analog's 318
- Signal Flow 318
- 22.1.2 Oscillators 319
- 22.1.3 Noise Generator 321
- 22.1.4 Filters 322
- 22.1.5 Ampliers 323
- 22.1.6 Envelopes 324
- 22.1.7 LFOs 325
- 22.1.8 Global Parameters 326
- 22.2 Drum Machines 328
- 22.3 Electric 330
- 22.3.2 Mallet Section 331
- 22.3.3 Fork Section 331
- 22.3.4 Damper Section 332
- 22.3.5 Pickup Section 332
- 22.3.6 Global Section 333
- 22.4 Exter nal Instrument 334
- ReWire Options Shown 335
- 22.5 Impulse 336
- 22.5.1 Sample Slots 337
- 22.5.3 Filter 338
- 22.5.4 Saturator and Envelope 338
- 22.5.5 Pan and Volume 338
- 22.6 Operator 339
- 22.6.1 General Overview 340
- Operator's Global 341
- Display 341
- Oscillator D's Display 342
- 22.6.3 LFO Section 344
- 22.6.4 Envelopes 345
- 22.6.5 Filter Section 347
- 22.6.6 Global Controls 347
- 22.6.7 Glide and Spread 348
- 22.6.9 Finally 349
- 22.7.1 Installation 356
- 22.8 Sampler 357
- 22.8.1 Multisampling 358
- 22.8.2 Sampler's Tabs 359
- 22.8.3 The Zone Tab 360
- The Velocity Zone Editor 362
- 22.8.4 The Sample Tab 363
- 22.8.5 The Pitch/Osc Tab 367
- 22.8.6 The Filter/Global Tab 368
- 22.8.7 The Modulation Tab 369
- 22.8.8 The MIDI Tab 370
- 22.9 Session Drums 371
- 22.9.3 Mixing the Drums 372
- 22.9.4 Modifying the Drumkits 372
- 22.10 Simpler 374
- 22.10.2 Sample Controls 375
- 22.10.3 Zoom 375
- 22.10.4 Envelope 376
- 22.10.5 Filter 376
- 22.10.6 LFO 376
- 22.10.7 Glide and Spread 377
- 22.11 Tension 379
- 22.11.2 String Tab 380
- Tension's Vibrato 384
- Section 384
- Tension's Damper 385
- Tension's Termination 386
- Tension's Body Section 388
- 22.11.3 Filter/Global Tab 389
- Tension's Global and 391
- Keyboard Parameters 391
- 22.11.4 Sound Design Tips 392
- 22.12.1 EIC Installation 393
- MIDI and Key Remote Control 396
- 23.1 MIDI Remote Control 397
- Control Surfaces Can 399
- Follow Device Selection 399
- Getting Hands-On: 399
- Control Surfaces Can Be 399
- Locked to Devices 399
- Dening Control 400
- Surfaces Manually 400
- 23.1.3 Takeover Mode 401
- 23.2 The Mapping Browser 402
- 23.2.2 Mapping to MIDI Notes 403
- and Twos 405
- 065127 063001 405
- The Relative Session 406
- Mapping Strip 406
- The Key Map Mode 407
- 23.3 Mackie Control 408
- 23.3.1 Channel Strips 409
- The V-Pots and 411
- Assignment Switches 411
- Bank, Channel, Flip and 413
- Return Buttons 413
- 23.3.4 Transport 415
- The Software-Specic 418
- Synchronization and ReWire 420
- Choosing a MIDI Slave 421
- Setting up Live as a MIDI 421
- 24.1.3 MIDI Timecode Options 422
- 24.1.4 Sync Delay 422
- 24.2 Connecting via ReWire 423
- 24.2.3 More on ReWire 425
- Computer Audio Resources and 426
- Strategies 426
- The CPU Load Meter 427
- 25.1.3 Track Freeze 428
- A Frozen Arrangement 429
- Track with a Reverb Tail 429
- 25.2 Managing the Disk Load 430
- Live 7 Audio Fact Sheet 432
- 26.2 Neutral Operations 433
- 26.2.7 Freeze, Flatten 436
- 26.2.8 Bypassed Effects 437
- 26.2.9 Routing 437
- 26.2.10 Splitting Clips 437
- 26.3 Non-Neutral Operations 438
- 26.3.3 Volume Automation 439
- 26.3.4 Dithering 439
- 26.3.7 Consolidate 440
- 26.3.8 Clip fades 440
- 26.3.9 Panning 441
- 26.3.10 Global Groove Changes 441
- 26.5 Summary and Conclusions 442
- Live 7 MIDI Fact Sheet 443
- 27.2 MIDI Timing Problems 444
- 27.5 Tests and Results 447
- MIDI Output Test 449
- Conguration 449
- 27.7 Summary and Conclusions 450
- Live Keyboard Shortcuts 451
- 28.2 Accessing Menus 452
- 28.3 Adjusting Values 452
- 28.4 Browsing 453
- 28.5 Transport 453
- 28.6 Editing 454
- 28.8 Session View Commands 455
- 28.10 Commands for Tracks 456
- 28.15 Clip View MIDI Editor 458
- 28.17 Global Quantization 459
- 28.20 Using the Context Menu 461
- INDEX 461 463
- INDEX 462 464
- INDEX 463 465
- INDEX 464 466
- INDEX 465 467
- INDEX 466 468
- INDEX 467 469
- INDEX 468 470
- INDEX 469 471
- INDEX 470 472
- INDEX 471 473
- INDEX 472 474
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