
9.2. TIME-WARPING SAMPLES 120
left to right. You can set a Warp Marker by double-clicking one of the gray grid markers to
the right of each correctly warped section, pinning it into place. The shortcuts for working
with the clip loop brace and start/end markers can speed up this process considerably. You
might also nd it helpful to select multiple Warp Markers for moving by appending to your
selected Warp Marker with the or
(PC) / (Mac) modiers held down.
The four Warp From Here commands provide various ways of resetting Warp Markers to
the right of the selected grid or Warp Marker, leaving Warp Markers to the left untouched.
These commands are also available from the start marker.
Warp From Here runs the Auto-Warp algorithm on the material to the right of the
selected marker.
Warp From Here (Start At ...) directs Auto-Warp to use the project tempo as a starting
point for tempo tracking. The strategy here is as follows:
1. Deactivate the Warp switch for the clip and play it (or the section in question)
unwarped;
2. Use the Control Bar's Tap Tempo button to tap along and set the project
tempo to match that of the clip;
3. Turn warping on again and use the Warp From Here (Start At ...) command
to tell Auto-Warp to use your tapped tempo and warp from there.
Warp From Here (Straight) tells Auto-Warp that this is a clip with no tempo variations,
i.e., an electronically produced piece. Auto-Warp will therefore set a single Warp
Marker according to its guess about the original le's tempo.
Warp ... BPM From Here will also set only a single Warp Marker, but in this case, Auto-
Warp is forced to interpret the piece as exactly matching the project tempo. This is
useful in cases when you happen to know the exact BPM value of an electronically
produced piece and can type it into the Control Bar before warping.
Of course, your Warp Markers will be saved with the Live Set. In addition, you probably
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