Ableton Live - 7.0 LE Manual de usuario Pagina 10
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- MARCADORES
Valorado. / 5. Basado en revisión del cliente
CHAPTER 2. FIRST STEPS 8
Adjusting the Main
Window Split.
- Ableton Live 7 LE 1
- Welcome to Live 3
- 1.2.3 Better Tempo Control 4
- 1.2.5 Device Improvements 4
- CHAPTER 1. WELCOME TO LIVE 3 5
- First Steps 6
- The Info View and its 7
- Show/Hide Button 7
- 2.2 Setting up Preferences 8
- 2.3 The Main Live Screen 9
- Adjusting the Main 10
- Window Split 10
- Unlocking Live 11
- 3.2 Step 2: Unlocking Live 12
- 3.2.3 Unlocking Online 13
- 3.2.4 Unlocking Ofine 13
- 3.3 Copy Protection FAQs 14
- CHAPTER 3. UNLOCKING LIVE 13 15
- Live Concepts 16
- 4.2 Arrangement and Session 17
- 4.3 Tracks 18
- 4.4 Audio and MIDI 19
- 4.5 Audio Clips and Samples 20
- 4.6 MIDI Clips and MIDI Files 21
- 4.7 Devices and the Mixer 22
- CHAPTER 4. LIVE CONCEPTS 21 23
- CHAPTER 4. LIVE CONCEPTS 22 24
- Live's Crossfader 25
- A MIDI Effect, an 25
- Instrument and an Audio 25
- Effect in a MIDI Track 25
- 4.8 Presets and Racks 26
- 4.9 Routing 26
- 4.10 Recording New Clips 27
- 4.11 Automation Envelopes 28
- 4.12 Clip Envelopes 29
- 4.13 MIDI and Key Remote 29
- 4.14 Saving and Exporting 30
- 4.15 The Library 31
- Choosing the Library 32
- Bookmark 32
- Managing Files and Sets 33
- Library Is this 35
- Browser's Root 35
- The File Browser's 35
- Parent Folder Item 35
- A Folder in the Browser 35
- 5.1.2 Browser Bookmarks 36
- 5.1.3 Searching for Files 36
- Activating Browser 37
- Search Mode 37
- The Search Field and Go 37
- 5.1.4 Previewing Files 39
- The Preview Volume 40
- Dropping a Clip to 41
- Create a New Track 41
- 5.1.7 Hot-Swap Mode 42
- 5.2 Sample Files 43
- 5.2.1 The Decoding Cache 44
- 5.2.2 Analysis Files (.asd) 44
- 5.2.3 File Pre-Analysis 45
- 5.2.4 Exporting Audio 45
- The Rendered Track 46
- Chooser 46
- Audio Rendering 47
- Options 47
- 5.3 MIDI Files 48
- 5.4 Live Clips 49
- 5.5 Live Sets 50
- 5.5.2 Merging Sets 51
- 5.5.4 Template Sets 53
- 5.6 Live Projects 55
- A New Project Was 57
- Added Next to Tango 57
- Project 57
- Added by Saving a Live 58
- Set Outside its Original 58
- 5.6.2 Projects and Presets 59
- 5.7 The Live Library 60
- The Library Location 62
- Unavailable Library 62
- Locations can be 62
- Cleared from the List 62
- 5.8 Locating Missing Samples 63
- 5.8.1 Manual Repair 64
- 5.8.2 Automatic Repair 64
- Automatic Repair 65
- Options in the File 65
- Manager 65
- Options for Collecting 66
- External Samples 66
- The File Manager's 67
- Collect and Save Button 67
- 5.11 Finding Unused Samples 68
- 5.13 File Management FAQs 69
- Folder Structure? 71
- Arrangement View 72
- 6.1 Navigation 73
- 6.2 Transport 74
- Scrubbing Arrangement 75
- Playback 75
- Setting the Play Position 75
- Position Fields 75
- Using Locators to 76
- Launch Play in the 76
- Arrangement 76
- The Locator Controls 76
- 6.4 Time Signature Changes 77
- 6.5 The Arrangement Loop 79
- 6.6 Moving and Resizing Clips 80
- 6.7 Selecting Clips and Time 81
- 6.8 Using the Editing Grid 82
- A Gap Between Clips 83
- Has Been Deleted by 83
- First Selecting It, Then 83
- Executing the Delete 83
- Time Command 83
- 6.10 Splitting Clips 84
- 6.11 Consolidating Clips 84
- Consolidating Several 85
- Clips Into a New Clip 85
- Session View 86
- 7.1 Session View Clips 87
- 7.2 Tracks and Scenes 88
- These Scenes Will 89
- Change the Tempo and 89
- Time Signature 89
- 7.3 The Track Status Fields 90
- 7.4.1 Select on Launch 91
- 7.4.3 Editing Scenes 92
- CHAPTER 7. SESSION VIEW 91 93
- The Stop All Clips 94
- Clip View 95
- CHAPTER 8. CLIP VIEW 94 96
- The Clip View for an 97
- Audio Clip 97
- CHAPTER 8. CLIP VIEW 96 98
- 8.1 The Clip Box 99
- 8.1.3 Clip Signature 100
- 8.1.4 Groove 100
- 8.1.5 Clip Offset and Nudging 101
- 8.2 The Sample Box 102
- The Clip Zoom/Scroll 103
- The Follow Switch 104
- The Clip Start and End 104
- Markers 104
- The Clip Overview 104
- Using Clip Start and End 105
- Controls to Change Clip 105
- The Clip Scrub Area 105
- The Clip Loop Controls 106
- Setting the Clip to Run 107
- Into a Loop 107
- 8.2.3 Clip Pitch and Gain 108
- The Save Default Clip 109
- The High Quality Switch 109
- 8.2.8 Clip RAM Mode 110
- 8.2.9 Reversing Samples 111
- 8.2.10 Cropping Samples 112
- 8.3 The Notes Box 113
- 8.3.3 MIDI Loop/Region 114
- Tempo Control and Warping 115
- 9.2 Time-Warping Samples 116
- 9.2.1 Tempo Master/Slave 117
- 9.2.2 Warp Markers 118
- 9.2.3 Using Warp Markers 119
- A One-Bar Loop as It 120
- Appears in the Clip 120
- View, by Default 120
- Setting the Warp 121
- Markers for a Poorly Cut 121
- Using Warp Markers to 122
- Manipulate the Groove 122
- Auto-Warp's Results in 123
- The Metronome Switch 123
- Using the Context Menu 124
- Three Selected Warp 126
- 9.3.1 Beats Mode 127
- 9.3.2 Tones Mode 127
- 9.3.3 Texture Mode 127
- 9.3.4 Re-Pitch Mode 128
- Chapter 10 129
- 10.2 The MIDI Editor 130
- Previewing MIDI Notes 131
- Note Scale Position Is 131
- Shown Vertically and 131
- Beat-Time Horizontally 131
- MIDI Editor Navigation 132
- The Control Bar's Follow 133
- The MIDI Clip Scrub 133
- 10.4 Editing MIDI 134
- 10.4.3 Grid Snapping 135
- Quantizing MIDI Notes 136
- Copying (Left) and 137
- Pasting (Right) a Loop 137
- 10.4.6 Changing Note Length 138
- 10.4.7 Editing Velocities 139
- Drawing Identical 140
- Velocities (Left) and a 140
- Crescendo (Right) 140
- 10.4.8 Deactivating Notes 141
- Launching Clips 142
- 11.2 Launch Modes 143
- 11.3 Clip-Level Quantization 144
- 11.4 Velocity 144
- 11.5 Legato Mode 145
- 11.6 Follow Actions 145
- The Follow Action 146
- Controls 146
- 11.6.2 Creating Cycles 148
- Routing and I/O 151
- 12.1 Monitoring 152
- Audio and MIDI Track 153
- Arm Buttons 153
- 12.2 Exter nal Audio In/Out 154
- 12.3 Exter nal MIDI In/Out 154
- The MIDI Ports List in 155
- Activating the Computer 155
- MIDI Keyboard 155
- 12.4 Resampling 156
- 12.5 Inter nal Routings 157
- Two Ways to Route Track 158
- A into Track B 158
- Tap Points for Track 159
- Routing 159
- Tap Points for Every 160
- Chain in a Track 160
- An Example Setup for 161
- Post-Effects Recording 161
- Recording the Output of 162
- Audio Tracks 162
- Submixing the Individual 163
- Drums of a Drum Kit 163
- Using Impulse's 165
- Individual Outs to 165
- Separately Process 165
- Sample Slots 165
- Tracks Feeding MIDI to 166
- From the Parts of a 166
- Multi-Timbral 166
- Instrument 166
- Routing a Speech Signal 167
- Into a Vocoder's 167
- Sidechain Input 167
- Using an Auxiliary MIDI 168
- Track to Layer 168
- Instruments 168
- Chapter 13 169
- The Session View Mixer 170
- The Mixer Section 171
- Selectors 171
- The Mixer Controls 171
- 13.1.1 Session Mixer Features 172
- 13.2 Audio and MIDI Tracks 173
- The Send Controls and 174
- Pre/Post Toggle 174
- The Crossfader and 175
- Selector 175
- Choose from Seven 176
- Crossfader Curves 176
- Crossfader Curve 176
- Properties 176
- Crossfade Assign 177
- Buttons 177
- 13.5 Soloing and Cueing 178
- 13.6 Track Delays 179
- CHAPTER 13. MIXING 178 180
- Recording New Clips 181
- 14.3 Recording 183
- Recording a New Clip 185
- Into the Session View 185
- 14.4 Recording in Sync 187
- 14.6 Recording with Count-in 188
- 14.7 Setting up File Types 189
- The Scene Up/Down 190
- A Track Launch Button 190
- Working with Instruments and 191
- Devices in the Track 192
- Devices Can Be Folded 192
- 15.1 Using the Live Devices 193
- MIDI and Audio Track 194
- A MIDI Track's Device 195
- Chain Can Contain All 195
- Three Device Types 195
- Device Activator 195
- Switches 195
- 15.1.1 Live Device Presets 196
- Presets in the Device 197
- Browser 197
- The Hot-Swap Presets 197
- The Save Preset Button 198
- The Default Presets 198
- 15.2 Using Plug-Ins 199
- The Plug-In Device 200
- A VST Plug-In in the 201
- Track View 201
- The Plug-In Unfold 201
- The Plug-In Edit Button 202
- 15.3 VST Plug-Ins 203
- Setting up VST Plug-In 204
- Sources for Windows 204
- Sources for Mac OS X 204
- 15.3.2 VST Programs and Banks 205
- 15.4 Audio Units Plug-Ins 207
- Opening an Audio Units 208
- Plug-In Window 208
- Chapter 16 209
- 16.1 An Overview of Racks 210
- 16.2 Drum Racks 211
- 16.2.1 Pad View 212
- 16.3 Mixing With Racks 213
- Mixing Rack Chains in 214
- Chapter 17 216
- 17.2 Deleting Automation 217
- 17.3 Overriding Automation 217
- Automation Envelopes 218
- 17.4.1 Drawing Envelopes 219
- 17.4.2 Editing Breakpoints 220
- 17.4.3 Locking Envelopes 221
- 17.4.4 Edit Menu Commands 222
- Clip Envelopes 223
- 18.1 The Clip Envelope Editor 224
- 18.2 Audio Clip Envelopes 225
- The Transposition 227
- Envelope with Steps 227
- (Top) and Ramps 227
- (Bottom) 227
- 18.2.4 Scrambling Beats 228
- and the modulation 229
- Envelope 229
- 18.3.2 Modulating Pan 231
- A MIDI Controller Clip 232
- Envelope 232
- Using a Clip Envelope to 233
- Create a Fade-Out Over 233
- Several Repetitions of a 233
- The Sample (Left) and 234
- Envelope (Right) Start 234
- 18.5.4 Clip Envelopes as LFOs 235
- Live Audio Effect Reference 236
- controls dene the 238
- 19.2 Auto Pan 239
- 19.3 Beat Repeat 240
- 19.4 Chorus 242
- 19.5 Compressor 243
- 19.5.1 Sidechain Parameters 246
- 19.5.2 Compression Tips 247
- 19.6 Dynamic Tube 248
- 19.7 EQ Eight 250
- 19.8 EQ Three 251
- 19.9 Erosion 253
- 19.10 Filter Delay 254
- 19.11 Flanger 255
- 19.12 Gate 256
- 19.13 Grain Delay 258
- 19.14 Phaser 259
- 19.15 Ping Pong Delay 261
- 19.16 Redux 262
- 19.17 Resonators 263
- 19.18 Reverb 264
- 19.18.1 Input Processing 265
- 19.18.2 Early Reections 265
- 19.18.3 Global Settings 265
- 19.18.4 Diffusion Network 266
- 19.19 Saturator 267
- 19.20 Simple Delay 269
- 19.21 Spectrum 270
- 19.22 Utility 271
- 19.23 Vinyl Distortion 272
- Live MIDI Effect Reference 274
- Con & Diverge 276
- Pinky Up and Pinky 276
- UpDown 276
- Thumb Up and 276
- Thumb UpDown 276
- 20.2 Chord 278
- 20.3 Note Length 279
- 20.4 Pitch 280
- 20.5 Random 281
- 20.6 Scale 282
- 20.7 Velocity 283
- Live Instrument Reference 285
- 21.1 Impulse 286
- 21.1.3 Filter 287
- 21.1.4 Saturator and Envelope 288
- 21.1.5 Pan and Volume 288
- 21.1.6 Global Controls 288
- 21.1.7 Individual Outputs 288
- 21.2 Simpler 289
- 21.2.2 Sample Controls 290
- 21.2.3 Zoom 290
- 21.2.4 Envelope 291
- 21.2.5 Filter 291
- 21.2.6 LFO 291
- 21.2.7 Glide and Spread 292
- 21.3.1 EIC Installation 294
- MIDI and Key Remote Control 296
- 22.1 MIDI Remote Control 297
- Control Surfaces Can 299
- Follow Device Selection 299
- Getting Hands-On: 299
- Control Surfaces Can Be 299
- Locked to Devices 299
- Dening Control 300
- Surfaces Manually 300
- 22.1.3 Takeover Mode 301
- 22.2 The Mapping Browser 302
- 22.2.2 Mapping to MIDI Notes 303
- and Twos 305
- 065127 063001 305
- The Relative Session 306
- Mapping Strip 306
- The Key Map Mode 307
- 22.3 Mackie Control 308
- 22.3.1 Channel Strips 309
- The V-Pots and 311
- Assignment Switches 311
- Bank, Channel, Flip and 313
- Return Buttons 313
- 22.3.4 Transport 315
- The Software-Specic 318
- Computer Audio Resources and 320
- Strategies 320
- The CPU Load Meter 321
- 23.2 Managing the Disk Load 322
- Live 7 Audio Fact Sheet 324
- 24.2 Neutral Operations 325
- 24.2.7 Freeze, Flatten 328
- 24.2.8 Bypassed Effects 329
- 24.2.9 Routing 329
- 24.2.10 Splitting Clips 329
- 24.3 Non-Neutral Operations 330
- 24.3.3 Volume Automation 331
- 24.3.4 Dithering 332
- 24.3.7 Consolidate 332
- 24.3.8 Clip fades 333
- 24.3.9 Panning 333
- 24.3.10 Global Groove Changes 333
- 24.5 Summary and Conclusions 334
- Live 7 MIDI Fact Sheet 335
- 25.2 MIDI Timing Problems 336
- 25.5 Tests and Results 339
- MIDI Output Test 341
- Conguration 341
- 25.7 Summary and Conclusions 342
- Live Keyboard Shortcuts 343
- 26.2 Accessing Menus 344
- 26.3 Adjusting Values 344
- 26.4 Browsing 345
- 26.5 Transport 345
- 26.6 Editing 346
- 26.8 Session View Commands 347
- 26.10 Commands for Tracks 348
- 26.15 Clip View MIDI Editor 350
- 26.17 Global Quantization 351
- 26.20 Using the Context Menu 353
- Chapter 27 354
- Live 7 LE Live 7 356
- INDEX 356 358
- INDEX 357 359
- INDEX 358 360
- INDEX 359 361
- INDEX 360 362
- INDEX 361 363
- INDEX 362 364
- INDEX 363 365
- INDEX 364 366
- INDEX 365 367
- INDEX 366 368
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