Ableton Live - 7.0 LE Manual de usuario Pagina 202
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CHAPTER 15. WORKING WITH INSTRUMENTS AND EFFECTS 200
Once a plug-in is placed in a track, you can use it just like a Live device:
You can edit all of its parameters and drag it to different locations in the device chain
or to other tracks, according to the rules of audio effects and instruments.
You can map MIDI controller messages to its parameters.
You can modulate its continuous parameters with clip envelopes.
You can use the multiple I/O features of some plug-ins by assigning them as sources
or targets in the routing setup of tracks. See the Routing and I/O chapter for details.
You can create custom info text for the plug-in.
Showing Plug-In Panels in Separate Windows
The Plug-In Edit Button.
The Plug-In Edit button opens a oating window that shows the original VST or Audio Units
Plug-in panel. Changing parameters on the oating window has the same effect as changing
them in the Live panel, and vice versa.
There are a few important Plug-In Preference settings for working with plug-in edit windows:
If activated, the Auto-Open Plug-In Windows Preference assures that plug-in edit
windows open automatically when plug-ins are loaded into tracks from the Browser.
If the Multiple Plug-In Windows option in the Plug-In Preferences is activated, you can
open any number of plug-in windows at once. Even with this option off, you can hold
down the
Ctrl
(PC) / (Mac) modier when opening a new plug-in window to
keep the previous window(s) from closing.
Using the Auto-Hide Plug-In Windows preference, you can choose to have Live display
only those plug-in windows belonging to the track that is currently selected.
- Ableton Live 7 LE 1
- Welcome to Live 3
- 1.2.3 Better Tempo Control 4
- 1.2.5 Device Improvements 4
- CHAPTER 1. WELCOME TO LIVE 3 5
- First Steps 6
- The Info View and its 7
- Show/Hide Button 7
- 2.2 Setting up Preferences 8
- 2.3 The Main Live Screen 9
- Adjusting the Main 10
- Window Split 10
- Unlocking Live 11
- 3.2 Step 2: Unlocking Live 12
- 3.2.3 Unlocking Online 13
- 3.2.4 Unlocking Ofine 13
- 3.3 Copy Protection FAQs 14
- CHAPTER 3. UNLOCKING LIVE 13 15
- Live Concepts 16
- 4.2 Arrangement and Session 17
- 4.3 Tracks 18
- 4.4 Audio and MIDI 19
- 4.5 Audio Clips and Samples 20
- 4.6 MIDI Clips and MIDI Files 21
- 4.7 Devices and the Mixer 22
- CHAPTER 4. LIVE CONCEPTS 21 23
- CHAPTER 4. LIVE CONCEPTS 22 24
- Live's Crossfader 25
- A MIDI Effect, an 25
- Instrument and an Audio 25
- Effect in a MIDI Track 25
- 4.8 Presets and Racks 26
- 4.9 Routing 26
- 4.10 Recording New Clips 27
- 4.11 Automation Envelopes 28
- 4.12 Clip Envelopes 29
- 4.13 MIDI and Key Remote 29
- 4.14 Saving and Exporting 30
- 4.15 The Library 31
- Choosing the Library 32
- Bookmark 32
- Managing Files and Sets 33
- Library Is this 35
- Browser's Root 35
- The File Browser's 35
- Parent Folder Item 35
- A Folder in the Browser 35
- 5.1.2 Browser Bookmarks 36
- 5.1.3 Searching for Files 36
- Activating Browser 37
- Search Mode 37
- The Search Field and Go 37
- 5.1.4 Previewing Files 39
- The Preview Volume 40
- Dropping a Clip to 41
- Create a New Track 41
- 5.1.7 Hot-Swap Mode 42
- 5.2 Sample Files 43
- 5.2.1 The Decoding Cache 44
- 5.2.2 Analysis Files (.asd) 44
- 5.2.3 File Pre-Analysis 45
- 5.2.4 Exporting Audio 45
- The Rendered Track 46
- Chooser 46
- Audio Rendering 47
- Options 47
- 5.3 MIDI Files 48
- 5.4 Live Clips 49
- 5.5 Live Sets 50
- 5.5.2 Merging Sets 51
- 5.5.4 Template Sets 53
- 5.6 Live Projects 55
- A New Project Was 57
- Added Next to Tango 57
- Project 57
- Added by Saving a Live 58
- Set Outside its Original 58
- 5.6.2 Projects and Presets 59
- 5.7 The Live Library 60
- The Library Location 62
- Unavailable Library 62
- Locations can be 62
- Cleared from the List 62
- 5.8 Locating Missing Samples 63
- 5.8.1 Manual Repair 64
- 5.8.2 Automatic Repair 64
- Automatic Repair 65
- Options in the File 65
- Manager 65
- Options for Collecting 66
- External Samples 66
- The File Manager's 67
- Collect and Save Button 67
- 5.11 Finding Unused Samples 68
- 5.13 File Management FAQs 69
- Folder Structure? 71
- Arrangement View 72
- 6.1 Navigation 73
- 6.2 Transport 74
- Scrubbing Arrangement 75
- Playback 75
- Setting the Play Position 75
- Position Fields 75
- Using Locators to 76
- Launch Play in the 76
- Arrangement 76
- The Locator Controls 76
- 6.4 Time Signature Changes 77
- 6.5 The Arrangement Loop 79
- 6.6 Moving and Resizing Clips 80
- 6.7 Selecting Clips and Time 81
- 6.8 Using the Editing Grid 82
- A Gap Between Clips 83
- Has Been Deleted by 83
- First Selecting It, Then 83
- Executing the Delete 83
- Time Command 83
- 6.10 Splitting Clips 84
- 6.11 Consolidating Clips 84
- Consolidating Several 85
- Clips Into a New Clip 85
- Session View 86
- 7.1 Session View Clips 87
- 7.2 Tracks and Scenes 88
- These Scenes Will 89
- Change the Tempo and 89
- Time Signature 89
- 7.3 The Track Status Fields 90
- 7.4.1 Select on Launch 91
- 7.4.3 Editing Scenes 92
- CHAPTER 7. SESSION VIEW 91 93
- The Stop All Clips 94
- Clip View 95
- CHAPTER 8. CLIP VIEW 94 96
- The Clip View for an 97
- Audio Clip 97
- CHAPTER 8. CLIP VIEW 96 98
- 8.1 The Clip Box 99
- 8.1.3 Clip Signature 100
- 8.1.4 Groove 100
- 8.1.5 Clip Offset and Nudging 101
- 8.2 The Sample Box 102
- The Clip Zoom/Scroll 103
- The Follow Switch 104
- The Clip Start and End 104
- Markers 104
- The Clip Overview 104
- Using Clip Start and End 105
- Controls to Change Clip 105
- The Clip Scrub Area 105
- The Clip Loop Controls 106
- Setting the Clip to Run 107
- Into a Loop 107
- 8.2.3 Clip Pitch and Gain 108
- The Save Default Clip 109
- The High Quality Switch 109
- 8.2.8 Clip RAM Mode 110
- 8.2.9 Reversing Samples 111
- 8.2.10 Cropping Samples 112
- 8.3 The Notes Box 113
- 8.3.3 MIDI Loop/Region 114
- Tempo Control and Warping 115
- 9.2 Time-Warping Samples 116
- 9.2.1 Tempo Master/Slave 117
- 9.2.2 Warp Markers 118
- 9.2.3 Using Warp Markers 119
- A One-Bar Loop as It 120
- Appears in the Clip 120
- View, by Default 120
- Setting the Warp 121
- Markers for a Poorly Cut 121
- Using Warp Markers to 122
- Manipulate the Groove 122
- Auto-Warp's Results in 123
- The Metronome Switch 123
- Using the Context Menu 124
- Three Selected Warp 126
- 9.3.1 Beats Mode 127
- 9.3.2 Tones Mode 127
- 9.3.3 Texture Mode 127
- 9.3.4 Re-Pitch Mode 128
- Chapter 10 129
- 10.2 The MIDI Editor 130
- Previewing MIDI Notes 131
- Note Scale Position Is 131
- Shown Vertically and 131
- Beat-Time Horizontally 131
- MIDI Editor Navigation 132
- The Control Bar's Follow 133
- The MIDI Clip Scrub 133
- 10.4 Editing MIDI 134
- 10.4.3 Grid Snapping 135
- Quantizing MIDI Notes 136
- Copying (Left) and 137
- Pasting (Right) a Loop 137
- 10.4.6 Changing Note Length 138
- 10.4.7 Editing Velocities 139
- Drawing Identical 140
- Velocities (Left) and a 140
- Crescendo (Right) 140
- 10.4.8 Deactivating Notes 141
- Launching Clips 142
- 11.2 Launch Modes 143
- 11.3 Clip-Level Quantization 144
- 11.4 Velocity 144
- 11.5 Legato Mode 145
- 11.6 Follow Actions 145
- The Follow Action 146
- Controls 146
- 11.6.2 Creating Cycles 148
- Routing and I/O 151
- 12.1 Monitoring 152
- Audio and MIDI Track 153
- Arm Buttons 153
- 12.2 Exter nal Audio In/Out 154
- 12.3 Exter nal MIDI In/Out 154
- The MIDI Ports List in 155
- Activating the Computer 155
- MIDI Keyboard 155
- 12.4 Resampling 156
- 12.5 Inter nal Routings 157
- Two Ways to Route Track 158
- A into Track B 158
- Tap Points for Track 159
- Routing 159
- Tap Points for Every 160
- Chain in a Track 160
- An Example Setup for 161
- Post-Effects Recording 161
- Recording the Output of 162
- Audio Tracks 162
- Submixing the Individual 163
- Drums of a Drum Kit 163
- Using Impulse's 165
- Individual Outs to 165
- Separately Process 165
- Sample Slots 165
- Tracks Feeding MIDI to 166
- From the Parts of a 166
- Multi-Timbral 166
- Instrument 166
- Routing a Speech Signal 167
- Into a Vocoder's 167
- Sidechain Input 167
- Using an Auxiliary MIDI 168
- Track to Layer 168
- Instruments 168
- Chapter 13 169
- The Session View Mixer 170
- The Mixer Section 171
- Selectors 171
- The Mixer Controls 171
- 13.1.1 Session Mixer Features 172
- 13.2 Audio and MIDI Tracks 173
- The Send Controls and 174
- Pre/Post Toggle 174
- The Crossfader and 175
- Selector 175
- Choose from Seven 176
- Crossfader Curves 176
- Crossfader Curve 176
- Properties 176
- Crossfade Assign 177
- Buttons 177
- 13.5 Soloing and Cueing 178
- 13.6 Track Delays 179
- CHAPTER 13. MIXING 178 180
- Recording New Clips 181
- 14.3 Recording 183
- Recording a New Clip 185
- Into the Session View 185
- 14.4 Recording in Sync 187
- 14.6 Recording with Count-in 188
- 14.7 Setting up File Types 189
- The Scene Up/Down 190
- A Track Launch Button 190
- Working with Instruments and 191
- Devices in the Track 192
- Devices Can Be Folded 192
- 15.1 Using the Live Devices 193
- MIDI and Audio Track 194
- A MIDI Track's Device 195
- Chain Can Contain All 195
- Three Device Types 195
- Device Activator 195
- Switches 195
- 15.1.1 Live Device Presets 196
- Presets in the Device 197
- Browser 197
- The Hot-Swap Presets 197
- The Save Preset Button 198
- The Default Presets 198
- 15.2 Using Plug-Ins 199
- The Plug-In Device 200
- A VST Plug-In in the 201
- Track View 201
- The Plug-In Unfold 201
- The Plug-In Edit Button 202
- 15.3 VST Plug-Ins 203
- Setting up VST Plug-In 204
- Sources for Windows 204
- Sources for Mac OS X 204
- 15.3.2 VST Programs and Banks 205
- 15.4 Audio Units Plug-Ins 207
- Opening an Audio Units 208
- Plug-In Window 208
- Chapter 16 209
- 16.1 An Overview of Racks 210
- 16.2 Drum Racks 211
- 16.2.1 Pad View 212
- 16.3 Mixing With Racks 213
- Mixing Rack Chains in 214
- Chapter 17 216
- 17.2 Deleting Automation 217
- 17.3 Overriding Automation 217
- Automation Envelopes 218
- 17.4.1 Drawing Envelopes 219
- 17.4.2 Editing Breakpoints 220
- 17.4.3 Locking Envelopes 221
- 17.4.4 Edit Menu Commands 222
- Clip Envelopes 223
- 18.1 The Clip Envelope Editor 224
- 18.2 Audio Clip Envelopes 225
- The Transposition 227
- Envelope with Steps 227
- (Top) and Ramps 227
- (Bottom) 227
- 18.2.4 Scrambling Beats 228
- and the modulation 229
- Envelope 229
- 18.3.2 Modulating Pan 231
- A MIDI Controller Clip 232
- Envelope 232
- Using a Clip Envelope to 233
- Create a Fade-Out Over 233
- Several Repetitions of a 233
- The Sample (Left) and 234
- Envelope (Right) Start 234
- 18.5.4 Clip Envelopes as LFOs 235
- Live Audio Effect Reference 236
- controls dene the 238
- 19.2 Auto Pan 239
- 19.3 Beat Repeat 240
- 19.4 Chorus 242
- 19.5 Compressor 243
- 19.5.1 Sidechain Parameters 246
- 19.5.2 Compression Tips 247
- 19.6 Dynamic Tube 248
- 19.7 EQ Eight 250
- 19.8 EQ Three 251
- 19.9 Erosion 253
- 19.10 Filter Delay 254
- 19.11 Flanger 255
- 19.12 Gate 256
- 19.13 Grain Delay 258
- 19.14 Phaser 259
- 19.15 Ping Pong Delay 261
- 19.16 Redux 262
- 19.17 Resonators 263
- 19.18 Reverb 264
- 19.18.1 Input Processing 265
- 19.18.2 Early Reections 265
- 19.18.3 Global Settings 265
- 19.18.4 Diffusion Network 266
- 19.19 Saturator 267
- 19.20 Simple Delay 269
- 19.21 Spectrum 270
- 19.22 Utility 271
- 19.23 Vinyl Distortion 272
- Live MIDI Effect Reference 274
- Con & Diverge 276
- Pinky Up and Pinky 276
- UpDown 276
- Thumb Up and 276
- Thumb UpDown 276
- 20.2 Chord 278
- 20.3 Note Length 279
- 20.4 Pitch 280
- 20.5 Random 281
- 20.6 Scale 282
- 20.7 Velocity 283
- Live Instrument Reference 285
- 21.1 Impulse 286
- 21.1.3 Filter 287
- 21.1.4 Saturator and Envelope 288
- 21.1.5 Pan and Volume 288
- 21.1.6 Global Controls 288
- 21.1.7 Individual Outputs 288
- 21.2 Simpler 289
- 21.2.2 Sample Controls 290
- 21.2.3 Zoom 290
- 21.2.4 Envelope 291
- 21.2.5 Filter 291
- 21.2.6 LFO 291
- 21.2.7 Glide and Spread 292
- 21.3.1 EIC Installation 294
- MIDI and Key Remote Control 296
- 22.1 MIDI Remote Control 297
- Control Surfaces Can 299
- Follow Device Selection 299
- Getting Hands-On: 299
- Control Surfaces Can Be 299
- Locked to Devices 299
- Dening Control 300
- Surfaces Manually 300
- 22.1.3 Takeover Mode 301
- 22.2 The Mapping Browser 302
- 22.2.2 Mapping to MIDI Notes 303
- and Twos 305
- 065127 063001 305
- The Relative Session 306
- Mapping Strip 306
- The Key Map Mode 307
- 22.3 Mackie Control 308
- 22.3.1 Channel Strips 309
- The V-Pots and 311
- Assignment Switches 311
- Bank, Channel, Flip and 313
- Return Buttons 313
- 22.3.4 Transport 315
- The Software-Specic 318
- Computer Audio Resources and 320
- Strategies 320
- The CPU Load Meter 321
- 23.2 Managing the Disk Load 322
- Live 7 Audio Fact Sheet 324
- 24.2 Neutral Operations 325
- 24.2.7 Freeze, Flatten 328
- 24.2.8 Bypassed Effects 329
- 24.2.9 Routing 329
- 24.2.10 Splitting Clips 329
- 24.3 Non-Neutral Operations 330
- 24.3.3 Volume Automation 331
- 24.3.4 Dithering 332
- 24.3.7 Consolidate 332
- 24.3.8 Clip fades 333
- 24.3.9 Panning 333
- 24.3.10 Global Groove Changes 333
- 24.5 Summary and Conclusions 334
- Live 7 MIDI Fact Sheet 335
- 25.2 MIDI Timing Problems 336
- 25.5 Tests and Results 339
- MIDI Output Test 341
- Conguration 341
- 25.7 Summary and Conclusions 342
- Live Keyboard Shortcuts 343
- 26.2 Accessing Menus 344
- 26.3 Adjusting Values 344
- 26.4 Browsing 345
- 26.5 Transport 345
- 26.6 Editing 346
- 26.8 Session View Commands 347
- 26.10 Commands for Tracks 348
- 26.15 Clip View MIDI Editor 350
- 26.17 Global Quantization 351
- 26.20 Using the Context Menu 353
- Chapter 27 354
- Live 7 LE Live 7 356
- INDEX 356 358
- INDEX 357 359
- INDEX 358 360
- INDEX 359 361
- INDEX 360 362
- INDEX 361 363
- INDEX 362 364
- INDEX 363 365
- INDEX 364 366
- INDEX 365 367
- INDEX 366 368
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