Ableton Live Intro Manual de instrucciones descargar pdf (Pagina 122)

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CHAPTER 9. TEMPO CONTROL AND WARPING 120

you can eliminate silence after the actual loop end by placing a Warp Marker at the sample's

right edge.

Setting the Warp

Markers for a Poorly Cut

Loop.

Syncing Odd-Length Loops

If you import a sample that contains a seven-bar loop, Live initially assumes the loop is eight

bars long (or four, depending on its length) and plays it out of sync. For correct playback,

the marker at the end of the sample needs to be at the beginning of bar eight, not bar nine.

To x this, simply drag the ending marker to the correct position.

If Live's initial guess had been a four-bar loop, the eighth bar may not initially be visible. In

that case, you can drag the Warp Marker at the end toward the right until the eight becomes

visible.

Manipulating Grooves

You can now create any number of Warp Markers by double-clicking within the sample or

on transient locations. Drag in a straight looped sample, set a few Warp Markers, and

move them around to see what happens. Warp Markers really serve two purposes:

1. to provide a correct interpretation of the ow of musical time in the sample;

2. to mess up the ow of time in the sample.

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Ableton Live Intro Manual de instrucciones Pagina 122

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