Ableton Live - 9.0 Manual de usuario descargar pdf (Pagina 120)

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12 0 Audio Clips, Tempo, and Warping

To direct Live’s assumptions about new samples, use the Record/Warp/Launch tab of Live’s

Preferences. If the Auto-Warp Long Samples preference is on, Live assumes that long samples

contain music that should be played in sync with the Live Set’s tempo. If you would rather have

Live default to playing long samples as they are, disengage this preference.

9.2.1 Tempo Master/Slave

All warped clips in the Arrangement View have one further option: They can be deﬁned as tem-

po masters by toggling their Master/Slave switches. Any number of clips can be set as tempo

masters, but only one clip at a time can actually be the tempo master. This distinction is always

granted to the bottom-most, currently playing clip in the Arrangement View.

The clip that is the current tempo master will play as if warping was off, but with one important

difference — the rest of the Live Set will be warped so that it plays in sync with the current tempo

master.

This is achieved by adding tempo automation to the Master track for the duration of the tempo

master clip. You will notice that the Tempo ﬁeld in Live’s Control Bar becomes disabled in this

state; this is because all tempo control is handed over to the tempo master clip.

When toggling a clip’s Master/Slave switch, or when deleting a clip that was set as tempo

master, the Master track tempo automation is removed again, restoring the proper tempo to the

region. If you wish instead to keep the generated tempo automation to continue working with it,

then [right-click](PC) / [CTRL-click](Mac) on the Control Bar’s Tempo ﬁeld, and choose the Un-

slave Tempo Automation command. All clips will then be set to Slave, but the tempo automation

will remain in place.

Note that when Live’s EXT switch is enabled (page 561), the Master/Slave switch has no effect

and appears disabled).

9.2.2 Warp Markers

Think of a sample as a rubber-band that you want to pin to a (musical time) ruler. In Live, the

pins are called Warp Markers. A Warp Marker locks a speciﬁc point in the sample to a speciﬁc

place in the measure. You can use any number of Warp Markers to create an arbitrary mapping

of the piece’s inherent rhythm to a musical meter.

Warp Markers are set in the Clip View’s Sample Display by double-clicking within the sample.

They can then be dragged or moved with the arrow keys to different points in time. Warp Mark-

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