Ableton Live - 9.0 Manual de usuario descargar pdf (Pagina 128)

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128 Audio Clips, Tempo, and Warping

2. Use the Control Bar’s Tap Tempo button to tap along, thereby setting the Live Set’s tempo

to match that of the clip;

Turn warping on again and use the Warp From Here (Start At ...) command to tell Auto-Warp to

use your tapped tempo as a reference.

•Warp From Here (Straight) tells Auto-Warp that this is a clip with no tempo variations

(common in electronically produced works). Auto-Warp will then set a single Warp Mark-

er derived from its guess of the ﬁle’s original tempo.

•Warp ... BPM From Here will also set a single Warp Marker, but in this case, Auto-Warp is

forced to interpret the clip as exactly matching the Live Set’s tempo. This is useful in cases

when you happen to know the exact BPM value of an electronically-produced work and

can type it into the Control Bar before warping.

Multi-Clip Warping

When clips of equal length are multi-selected, adding or changing Warp Markers for one clip

will apply identical Warp Markers to all. This is convenient in any situation where several tracks

have the same rhythm, and you wish to alter the timing of each recording in the same way. A

common scenario would be when multi-tracking a band’s performance, where the musicians all

play in time with each other, yet the timing itself is in some way ﬂawed.

9.2.4 Quantizing Audio

In the previous section, you learned how to adjust the timing of events in audio ﬁles by manu-

ally dragging Warp Markers along the timeline. But it is also possible to automatically snap the

entire sample to the grid at once by using the Quantize command. To do this, click in the back-

ground of the sample editor and choose the Quantize command from the Edit menu, or use the

[CTRL](PC) / [CMD](Mac) hotkey. This will quantize using default settings, or the settings that

you previously applied.

To adjust your quantization parameters, open the Quantization Settings dialog from the Edit

menu.

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