Ableton Live - 9.0 Manual de usuario descargar pdf (Pagina 46)

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46 Managing Files and Sets

•File Type, Bit Depth, Sample Rate — These options specify the type of sample to be cre-

ated.

•Dither Options — If you are rendering at a bit depth lower than 32-bit, choose one of the

dither modes. Dithering adds a small amount of noise to rendered audio, but minimizes

artifacts when reducing the bit depth. By default, Triangular is selected, which is the “saf-

est“ mode to use if there is any possibility of doing additional processing on your ﬁle.

Rectangular mode introduces an even smaller amount of dither noise, but at the expense of

additional quantization error. The three Pow-r modes offer successively higher amounts of

dithering, but with the noise pushed above the audible range. Note that dithering is a pro-

cedure that should only be applied once to any given audio ﬁle. If you plan to do further

processing on your rendered ﬁle, it’s best to render to 32-bit to avoid the need for dithering

at this stage. In particular, the Pow-r modes should never be used for any material that will

be sent on to a further mastering stage — these are for ﬁnal output only. (Please note that

the Pow-r modes are not available in the Intro and Lite Editions.)

•Create Analysis File — If this is activated, Live will create an .asd ﬁle that contains analysis

information about the rendered sample. If you intend to use the new sample in Live, check

this option.

•Upload Audio to SoundCloud — If activated, a helper application will launch that will al-

low you to upload your exported audio ﬁle to SoundCloud.

Real-Time Rendering

Normally, rendering happens as an ofﬂine process. But if your set contains an External Audio

Effect (page 316) or External Instrument (page 401) that routes to a hardware effects device

or synthesizer, the rendering process is a bit different. In this case, rendering the master output

happens in real time. If you render individual tracks, all tracks that don’t route to an external

device anywhere in their signal paths will be rendered ofﬂine. Then, any tracks that do access

these devices will be rendered in real time. Live will automatically trace each track’s signal ﬂow

and detect if real-time rendering is necessary. You’ll then be presented with several options

when you start to render:

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